The origin story of the Berlin rap duo is as random and coincidental as their name "6euroneunzig". Kat and Nina met at an acting audition in Berlin and both got eliminated in round 3. What do they say? All good things come in threes? In this case, truly: because what would have been the end for others was the beginning for them. Now they take their stage without any theater, and they definitely belong there: with fast beats, wordplays with the magical 69, lyrics that mean a slap in the face for some Macho, and an attitude that screams BadBitch. 6euroneunzig sounds like Blümchen, Ikkimel, and SXTN making music together in a squatted house on Rigaer Street.



Whether at Fusion, c / o Pop, or Appletree (just to name a few), anyone who has seen 6euroneunzig aka Kat & Nina live knows: this is not just music being made, but feminist club and rap history is being written here.



That’s why we can now announce what many have probably been waiting for a long time, especially since the first release show sold out way too quickly.



In 2026, THE BITCHES ARE IN POWER – and going on TOUR!



In a total of 12 cities, we can finally join Kat & Nina "TO THE PARTY, TO THE PARTY"! with a hefty dose of Badbitch attitude packed (promise). So be quick and come by when 6euroneunzig opens a new chapter of their Tussitechno, Fotzenrap & Pussypop history.

Maria, Agnes, and Josefine are the Golden Girls of the senior residence Abendrot. Bridge games, little jabs, and current memorial services in honor of deceased residents shape their daily lives. The slightly confused Agnes, the kind-hearted Maria – and Josefine, the former theater diva: They may not be the youngest anymore, but they are not from yesterday.

When the bon vivant Bruno moves into the home, the elderly ladies' trio literally blossoms. And the new caregiver makes the old hearts young again. One day, an unknown woman comes to visit. She is searching for her mother, whom she once put up for adoption. Now old wounds are opened, but it's never too late for a happy ending!

"Der blinde Passagier" begins like a crime film. Time: Winter 1938. Place: a Danish cargo ship at a German port. It is still thick fog in the morning when the boat wants to raise anchor. Suddenly, Carl, the captain's son, discovers a man in the icy water. He fishes the man out of the harbor basin and hides him in the cargo hold. On the small ship, the secret guest is soon discovered by the rest of the crew. When it turns out that the stowaway is a Jewish doctor who has fled from the Nazis, the mood escalates. Rescuing the stranger could bring them into great danger with the German authorities. Thus, the crime story suddenly turns into a socio-political drama that addresses both individual and collective responsibility. How far would we go to save another life? How strong is the cohesion of our society in the face of an impending catastrophe?

It was a sensation when, a few years ago, the long-lost literary work of the Viennese author Maria Lazar was rediscovered in England. Lazar, who is among the most significant authors of Viennese modernism, emigrated as a Jewish woman to Danish exile in the 1930s. She died in Sweden in 1948. Director Mira Stadler brings the gripping parable about civil courage and humanity to the stage as an Austrian premiere.

AGE RECOMMENDATION:
From 14 years old

Libretto and Arrangement: Alice Waginger

Ensemble Oper@Tee
Children's choir In highest tones!


Musical Direction - Victoria Vasilchenko

Duration: 50 minutes
Recommended for ages three and up

“Mirror, mirror on the wall! Who is the fairest of them all?” The fairy tale “Schneewittchen” makes children's eyes shine with Antonín Dvořák's lively music. Without barriers and divisions from the artists, the little guests experience a thrilling operatic adventure tailored just for them. The children’s choir “In highest tones” completes the delightful work and is a clear highlight.
Every child is guaranteed a clear view, as every little guest is a king here! Seats will be assigned on-site.

Before the performance, an entertaining introduction to the children's works will be offered.

The bright and friendly hall is pleasantly tempered at any time of year.

Christian Becker invites to the annual meeting of the giants of the local music scene. As since the year 2023, numerous musical highlights can be expected at the new edition of Beckers Banquet. In addition to the band around the frontman, guitarist, and songwriter including the horn section, you can look forward to the following guests: Tini Kainrath, Niddl, Aminata Seydi, Andy Baum, Romantic Slivo, and many more.

Urfröhlich – because being grumpy doesn’t make you happier either.

Reinhard Nowak has decided to be only urfröhlich from now on. Why? Because he has realized that he has arrived at the last third of his life, whether he likes it or not – and he does not want to spend the remaining time just being grumpy on the stage of life. Because it doesn’t help at all to be in a bad mood about everything and everyone – and because every failure tastes better when you walk through life with a smile.

Maybe his long-standing marriage will run a bit smoother if he is urfröhlich while doing so. Perhaps one can endure the current sh**** world situation better when watching the news with a smile. Maybe he will even like the red numbers in his bank account more when he reads his bank statement with a grin. Perhaps he feels better when he looks at some of his body parts that are just hanging around. Maybe he finds fat-free food simply more delicious when he chews it with joy. And maybe a colonoscopy is more fun when he is urfröhlich.

Why being urfröhlich might be the right way into the last third of life.

A cabaret program about the surprising realization that cheerfulness is sometimes the smarter choice.

“URFRÖHLICH” is a program for everyone who would rather laugh about Reinhard Nowak’s problems than their own – because he suffers everything on our behalf – every nuisance – all urfröhlich.

Experience it live – and guaranteed to be urfröhlich.

LT1 Upper Austria Gstanzl Singa 26 Tour.

At the events in 2026, the LT1 Gstanzl Singa was a must-attend. On April 10th at Rohrbach Berg centro at 7 PM, April 11th at Ried im Innkreis Bauernmarkthalle, April 17th at Schwanenstadt Stadtsaal at 7:00 PM, April 25th in Ansfelden - Linz at 2 PM, July 4th in Schönau Burg Prandegg at 7 PM, September 11th in Eferding at the Brauhaus, September 17th in Freistadt Salzhof, September 25th in Burg/kirchen a. Alz, Bürgerzentrum, and October 2nd in Hallwang Kulturzentrum.

Once again, the Queen of Gstanzl, RENATE MAIER, will be present. Various Gstanzl singers and Gstanzl groups such as Anna & Franzi known from Bredl Spitzen TV Bayern, Sepp Gschaider and Thomas, Tristan & Davied, among others.

With Christoph Grissemann, Manuel Rubey & Robert Stachel

Three men, one painting, white with white stripes. When Serge buys a monochrome artwork for a lot of money, a turbulent, physical, and ultimately reconciliatory conflict spiral begins to unfold. In the sobering light of anger, disappointment, and career frustration, three long-time friends, urban neurotics through and through, see the rituals of their male friendship collapse. Worldviews drift apart, unknown cracks in their own lives emerge — a terribly funny catastrophe.

With “KUNST,” the award-winning comedy by Yasmina Reza, arguably the most performed contemporary playwright, the three exceptional humorists fulfill a favorite project. Christoph Grissemann, Manuel Rubey, and Robert Stachel present the famous dialogue series with charm, wit, and precision — direct, pointed, and with a sparse use of scenic means. A quirky, compelling, and fast-paced evening about friendship, sensitivities, and the meaning of modern art.

The native of Eferding, Sophie Lindinger, has established herself in recent years as a versatile and successful artist and producer. After receiving numerous accolades for projects like Leyya and My Ugly Clementine, along with associated awards, 2023 saw her very personal solo debut in the singer-songwriter mantle, warmly embraced by critics and fans alike.

Ensemble Oper@Tee:
Libretto & Arrangement Alice Waginger
Duration 60 minutes

This child-friendly production offers a captivating mix of fairy tales, adventure, and humorous elements. The imaginative plot engages children's imaginations and keeps the young audience enchanted. Colorfully and lovingly designed, children are playfully introduced to the world of opera.

The intimate atmosphere of the crypt creates a special experience, where the little spectators can experience the magic of opera up close. The clear moral messages about friendship, courage, and overcoming challenges make the story not only entertaining but also educational. Ideal for children aged 3 to 12 years and an unforgettable family outing into the world of classical music.

Seats are assigned on site. Every little guest is guaranteed an unobstructed view. Before the performance begins, there will be an entertaining children's workshop introduction.
The bright and friendly CRYPT is pleasantly temperate at any time of the year.

A shiver runs down the back. The fingers tingle. And sweat. The corners of the mouth pull outward. And downward. The nostrils open up. Like the eyes. They stare at this disgusting thing. The shoulders turn forward. Like two tanks. Yuck. Says the whole body.

Once upon a time, there was supposedly a princess who was so angry at a frog because he was so disgusting and intrusive that she slammed him against a wall. The impact transformed the frog. Or was it the princess who transformed? Because she found an expression for her anger? Where did she find it? And why was the frog so repulsive? Is disgust outside and anger inside the body? Or where are they? And how does the anger come out of the body again once it is inside?

The artists deconstruct the tale of the Frog Prince and curiously approach disgust and anger. They search for suitable images, movements, and sounds for inner states during the transformation.

Info

8‒12 years
55 min.
German

Artists

Elina Lautamäki + Agnes Schneidewind

PLAY DEVELOPMENT + PERFORMANCE Elina Lautamäki, Agnes Schneidewind
COSTUMES Evandro Pedroni
DRAMATIC CONSULTATION Frans Poelstra
OUTSIDE EYE Gabriele Wappel

High-ranking modern vocal art as fun entertainment in the rare Barbershop style with original compositions.

„Barbershöple“ – this is the answer to the question of what happens when four people from Vorarlberg come together to conquer the Barbershop through song. The popular music genre from the USA with its special harmonies was created for entertainment in barbershops. In a unique style, tradition, jazz, and pop come together. With humor, self-irony, and total physical involvement, the award-winning quartet leads through an evening full of captivating Barbershop sound and exquisite a cappella highlights in their own arrangements. The unmistakable Vorarlberg Barbershöple charm and the excellent musical level of the Five Gold Rings guarantee an entertaining evening between Sibratsgfäll and New York.

Five Gold Rings: David Lins, Ralf Gisinger, Jakob Peböck, Lukas E. Müller

Feel it, behind the trees, between the leaves waits an animal. It is big and strong and monstrous – I believe: It is like me.

Look, I want to tell you about us. About dancing paws. About resting in soft fur. About jumping dots. About how I count. And how I can be big and strong and everything with 1, 2, 3, 249 – and so can you.

A child, a dancer, and a musician encounter a cheetah on stage. Playfully, musically, in poetic images and languages, and always with support from the young audience, they bring to life, point by point, the sensitive and artistically illustrated picture book “Was zählt, bist du” by Magda Hassan and Raffaela Schöbitz, which was awarded by a specialist jury in 2022 as “one of the most beautiful books in Austria”.

Info

3‒8 years
45 min.
Little language
(German and fantasy language)

Based on the picture book of the same name by Magda Hassan (author) and Raffaela Schöbitz (illustrator), published by Edition 5Haus

A production in cooperation with Edition 5Haus

Artists

KLEINES BÜRO
Artist collective

DIRECTION Anna Spitzbart
MUSIC + PERFORMANCE Alexander Lainer
DANCE + PERFORMANCE Anna and Frida Spitzbart
SCENIC DESIGN Lena Winkler-Hermaden
DRAMATURGICAL SUPPORT Dagmar Stehring
TECHNICS Patricia Messina

Graz seduces you - narrow alleys, imposing buildings, and modern architecture. Enjoy a leisurely walk through one of the most fascinating old towns in Europe, which is young, cheeky, and innovative at the same time.

Flamenco 360° is an initiative of the Círculo Flamenco de Viena aimed at providing a comprehensive understanding of a Flamenco style (Palo) through a series of theoretical-practical courses. The selected Palo for 2026 is Soleá por Bulerías.

We explore the origin, history, rhythm, structure, and melodic styles and their significance for dance, guitar, percussion, and singing.
Finally, we apply the acquired knowledge in practical 10 practice sessions.

The course series is aimed at aficionados, musicians, dancers, and singers. The goal is to gain a deep understanding and the necessary quality for an authentic presentation.

Teachers:
Mónica Clavijo: trained Flamenco singer (Cristina Heeren Flamenco Foundation Sevilla) and Flamenco singing teacher. Director of the Círculo Flamenco de Viena.
Nadia Mazur: trained Flamenco dancer (Cristina Heeren Flamenco Foundation Sevilla), Flamenco teacher, and director of Tablao Flamenco Warszawa.
Flaco de Nerja: guitarist and composer. Finalist in the most important competition "Concurso Nacional del Arte Flamenco de Cordoba" (2001 and 2004)
Yulia Kuleshova: Flamenco dancer and teacher. Master's degree in Flamencology (ESMUC Barcelona),
Mateo Garriga: Flamenco percussionist and music teacher.

Dates: 14.02., 28.02., 21.03., 11.04., 25.04., 30.05., 27.06., 05.09. each at 10:30 AM.
Duration: see individual dates. Total: 25.5 hours.

His new comedy program about the daily struggle with the ultimate opponent: one's own life.

Gernot Kulis takes life as it is – head-on. Whether in chaotic family life, on adventurous trips with quirky encounters, or in an unbalanced duel against the artificially intelligent bathroom scale – conflicts lurk everywhere, and he solves them in just one way: with humor. He just can't help himself.

Equipped with A.I. – the Kulis Intelligence – he addresses the big and small questions of his life in his new program – always ready to find a joke, even in seriousness. And as always in his unmistakable style: energetic, multi-voiced, with full body involvement, and a pace that takes your breath away.

Gernot Kulis simply can't help it.

A program about friendship, marriage, and smart household appliances that just know too much.

Warm welcome to St. Peter's Church, one of the most beautiful Baroque churches in Vienna, built from 1701 to 1733 based on plans by Lukas von Hildebrand. At this location stood the first church of our city in the 4th century in the area of the Roman camp Vindobona (Vienna). Since then, services have been held here. Liturgy, pastoral care, and music make St. Peter's Church a spiritual focal point of the city for locals and visitors alike.

The Classic Ensemble Vienna has also found its home here. Comprised of internationally renowned musicians who have celebrated many successful performances in Austria, Mexico, the USA, Sweden, Germany, etc., it enchants the Viennese and international audience with beautiful interpretations of Mozart, Beethoven, Bach, Vivaldi, and much more.

With his funny and lively participatory songs, Austria's children's songwriter No. 1 is on tour again!



Children and adults will be playfully involved in the concert!

That Bernhard Fibich knows what he is singing about is no surprise: he is the father of adult children and an enthusiastic grandfather.