The Tassilo Bühne Bad Hall takes you this season to the Florida Keys, paradise beaches, cocktails, carefree living. A perfect starting point. Somehow, Terry and Brian Cody still had little luck with their sweet hotel. Therefore, it is to be sold, and they want to present themselves in the best light. The only regular guest, a British major with a quirky sense of humor, is not exactly the ideal testimonial. Therefore, a brilliant idea is to rescue the situation. The house staff is transformed into guests. Suddenly, a Polish clergyman, a sophisticated businesswoman, and an elegant receptionist populate the holiday domicile. A huge commotion, tension and fun are guaranteed.

The Tassilo Bühne Bad Hall takes you this season to the Florida Keys, paradise beaches, cocktails, carefree living. A perfect starting point. Somehow, Terry and Brian Cody still had little luck with their sweet hotel. Therefore, it is to be sold, and they want to present themselves in the best light. The only regular guest, a British major with a quirky sense of humor, is not exactly the ideal testimonial. Therefore, a brilliant idea is to rescue the situation. The house staff is transformed into guests. Suddenly, a Polish clergyman, a sophisticated businesswoman, and an elegant receptionist populate the holiday domicile. A huge commotion, tension and fun are guaranteed.

The Tassilo Bühne Bad Hall takes you this season to the Florida Keys, paradise beaches, cocktails, carefree living. A perfect starting point. Somehow, Terry and Brian Cody still had little luck with their sweet hotel. Therefore, it is to be sold, and they want to present themselves in the best light. The only regular guest, a British major with a quirky sense of humor, is not exactly the ideal testimonial. Therefore, a brilliant idea is to rescue the situation. The house staff is transformed into guests. Suddenly, a Polish clergyman, a sophisticated businesswoman, and an elegant receptionist populate the holiday domicile. A huge commotion, tension and fun are guaranteed.

“An Attack on the Laugh Muscles”

They were once in love, romantic, and passionate. And now? An aging couple stands before the shards of their marriage. And the decision about how to proceed in the future has essentially already been made. Letters that the spouses have written to each other over decades allow them to look back on their entire married life one more time.

Funny, humorous, with a large dash of cynicism, they are reminded of how it once was between the two of them. And in the end, the supposedly marital backache turns out to be just a hearty kick in the butt.

A comedy as a staged reading with two performers who couldn't be a better match! LOU HOFFNER and GEDEON BURKHARD impress with lots of wit and depth.

240 years after its world premiere at the Theater an der Wien, "Le Nozze di Figaro" comes to Bad Hall as the third opera in the Mozart cycle in cooperation with the international Mozart Academy of the Anton Bruckner Private University. Over 120 of the most beautiful young voices from 35 nations will gather for the Mozart competition in September 2025 in Bad Hall. In the public final (September 6, 18:00), special prizes in the form of engagements for "Figaro" will also be awarded. The two previous productions "Die Zauberflöte" and "Cosi fan tutte" have been celebrated by both the audience and the press.

In the Bad Hall "Figaro" version, the arias will be sung in the original Italian language, with accompanying recitatives and subtitles presented in German. The musical direction is in the capable hands of Matthias Achleitner, who will bring Mozart's masterpiece to life together with his OÖ. Philharmonic.

240 years after its world premiere at the Theater an der Wien, "Le Nozze di Figaro" comes to Bad Hall as the third opera in the Mozart cycle in cooperation with the international Mozart Academy of the Anton Bruckner Private University. Over 120 of the most beautiful young voices from 35 nations will gather for the Mozart competition in September 2025 in Bad Hall. In the public final (September 6, 18:00), special prizes in the form of engagements for "Figaro" will also be awarded. The two previous productions "Die Zauberflöte" and "Cosi fan tutte" have been celebrated by both the audience and the press.

In the Bad Hall "Figaro" version, the arias will be sung in the original Italian language, with accompanying recitatives and subtitles presented in German. The musical direction is in the capable hands of Matthias Achleitner, who will bring Mozart's masterpiece to life together with his OÖ. Philharmonic.

240 years after its world premiere at the Theater an der Wien, "Le Nozze di Figaro" comes to Bad Hall as the third opera in the Mozart cycle in cooperation with the international Mozart Academy of the Anton Bruckner Private University. Over 120 of the most beautiful young voices from 35 nations will gather for the Mozart competition in September 2025 in Bad Hall. In the public final (September 6, 18:00), special prizes in the form of engagements for "Figaro" will also be awarded. The two previous productions "Die Zauberflöte" and "Cosi fan tutte" have been celebrated by both the audience and the press.

In the Bad Hall "Figaro" version, the arias will be sung in the original Italian language, with accompanying recitatives and subtitles presented in German. The musical direction is in the capable hands of Matthias Achleitner, who will bring Mozart's masterpiece to life together with his OÖ. Philharmonic.

240 years after its world premiere at the Theater an der Wien, "Le Nozze di Figaro" comes to Bad Hall as the third opera in the Mozart cycle in cooperation with the international Mozart Academy of the Anton Bruckner Private University. Over 120 of the most beautiful young voices from 35 nations will gather for the Mozart competition in September 2025 in Bad Hall. In the public final (September 6, 18:00), special prizes in the form of engagements for "Figaro" will also be awarded. The two previous productions "Die Zauberflöte" and "Cosi fan tutte" have been celebrated by both the audience and the press.

In the Bad Hall "Figaro" version, the arias will be sung in the original Italian language, with accompanying recitatives and subtitles presented in German. The musical direction is in the capable hands of Matthias Achleitner, who will bring Mozart's masterpiece to life together with his OÖ. Philharmonic.

The future is not what it used to be, as Karl Valentin already knew.

Mike Supancic now provides the evidence for this, as he has already been there.

As part of this, he has tried out the artificial conscience himself.

He sat on the jury of the Raiffeisen-Reibeisen-Songcontest.

And experienced a youth revolt with the battle cry "All of Vienna is on protein today".

Mike talks about life in retirement at the Rockressort Rensenbrink, lets himself be coached by the Investmentpunk through the hypermegainflation, and gets thrown off the train in his own country, with a Malakoff cake in hand.

Also to be heard are the Antiblues Blues, the Dürüm-Langos-Asianudeln-Maroni stand Medley as well as numerous songs about topics that have never been written about in songs before.

Or will have been.

But how exactly the future has gone will be found out in the end by Mike Supancic in the future.



Director: Nadja Maleh

Four friends. Four voices. A sound that shines.

With “Glanzstücke,” Die Vierkanter are presenting the best from nearly 3 decades of a cappella cabaret: What began in 1997 with vocal experiments, wordplay, and a healthy dose of self-irony has developed into a unique blend of multi-voiced singing, ambiguous cabaret, and distinctly, finely measured nonsense.

And just like that, DIE VIERKANTER have polished timeless highlights such as “Radar,” “Ewiges Kreuz,” and many more hits in this BEST OF together with brand new surprises to a high gloss!

GLANZSTÜCKE, a musical fireworks display with charm, wit, and depth.

His new comedy program about the daily struggle with the ultimate opponent: one's own life.

Gernot Kulis takes life as it is – head-on. Whether in chaotic family life, on adventurous trips with quirky encounters, or in an unbalanced duel against the artificially intelligent bathroom scale – conflicts lurk everywhere, and he solves them in just one way: with humor. He just can't help himself.

Equipped with A.I. – the Kulis Intelligence – he addresses the big and small questions of his life in his new program – always ready to find a joke, even in seriousness. And as always in his unmistakable style: energetic, multi-voiced, with full body involvement, and a pace that takes your breath away.

Gernot Kulis simply can't help it.

A program about friendship, marriage, and smart household appliances that just know too much.

...until someone cries! - an evening of laughter

In their first joint program, Murg and Bernardin spare no one, but offer the audience a reunion with classics and rarities from over 100 years of Kabarett Simpl.
A Best of Simpl from Farkas to Niavarani and back.

until someone cries!

...the audience with laughter!

PRESS REVIEWS

"Whether they were seen in double conferences or each showed a solo performance, one felt well entertained at all times, and perhaps some even shed tears, though not from emotion... Audience reactions during the break showed that the two were on the right track: 'It's so refreshing...my stomach hurts from laughing so much.' But the two really outdid themselves when they portrayed elderly pilots flying to wherever. ...If you want to treat yourself to a really funny evening, I highly recommend the duo, as they definitely ensure that you can have a really good laugh."
Andrea Martin, kulturaspekte.de

"Stefano Bernardin and Bernhard Murg spare no one... An evening like a time travel: The oldest sketch is said to be a century old. By the way, they mean the visitors, whose eyes are filled with tears of laughter."
Kurier (Austrian daily newspaper)

Highly esteemed audience!

Do you know the feeling of wanting to do everything completely right, while deep down knowing that you are probably doing it all wrong?
Then join in: you are in good company. Because something is always right. And if not something, then at least someone.
While everyone else is on the lookout for mistakes, Omar Sarsam takes you on a musical cabaret evening to search for what is right.
And if you also read the package insert beforehand, you will agree: “I believe there is something right.”

PACKAGE INSERT – STIMMT

Indications:
For sociable evening activities or in case of disturbance.

Mechanism of action:
Unrepentant optimism.

Dosing:
Once in the evening before going to sleep, in a relaxed atmosphere.

The following information is intended solely for doctors and medical professionals:

Totally awesome mood, dude.
Nice people and so on.
I swear bro, no hex symbol, that’s right.

Roland Düringer's REGNERATIONSABEND - the high art of storytelling - is going into the third round. New stories from his varied life, told in his usual manner.

Unprepared, but deeply relaxed. Grateful for every question from the audience and, as always, speaking candidly. A cabaret evening in simple language, and if someone still doesn't understand everything, they just raise their hand as always.

PREMIERE: 14.10.2025, STADTSAAL Vienna

Press reviews:
"Loud and funny." - Der Standard

"Roland Düringer entertains his audience from the first to the last minute." - Wiener Zeitung

The great masterpiece by Franz Lehár with world hits like "Friends, life is worth living" and "My lips, they kiss so hot" will be presented for the first time in the direction of director Thomas Kerbl on the stage of Bad Hall. With "Giuditta," his last operetta, Franz Lehár fulfilled his dream in 1934 to have one of his operettas premiered at the Vienna State Opera. Picturesque settings with scenes leading from a Spanish port city to the North African desert once again promise the atmospheric flair of the operetta festival.

The great masterpiece by Franz Lehár with world hits like "Friends, life is worth living" and "My lips, they kiss so hot" will be presented for the first time in the direction of director Thomas Kerbl on the stage of Bad Hall. With "Giuditta," his last operetta, Franz Lehár fulfilled his dream in 1934 to have one of his operettas premiered at the Vienna State Opera. Picturesque settings with scenes leading from a Spanish port city to the North African desert once again promise the atmospheric flair of the operetta festival.

The great masterpiece by Franz Lehár with world hits like "Friends, life is worth living" and "My lips, they kiss so hot" will be presented for the first time in the direction of director Thomas Kerbl on the stage of Bad Hall. With "Giuditta," his last operetta, Franz Lehár fulfilled his dream in 1934 to have one of his operettas premiered at the Vienna State Opera. Picturesque settings with scenes leading from a Spanish port city to the North African desert once again promise the atmospheric flair of the operetta festival.

The great masterpiece by Franz Lehár with world hits like "Friends, life is worth living" and "My lips, they kiss so hot" will be presented for the first time in the direction of director Thomas Kerbl on the stage of Bad Hall. With "Giuditta," his last operetta, Franz Lehár fulfilled his dream in 1934 to have one of his operettas premiered at the Vienna State Opera. Picturesque settings with scenes leading from a Spanish port city to the North African desert once again promise the atmospheric flair of the operetta festival.

The great masterpiece by Franz Lehár with world hits like "Friends, life is worth living" and "My lips, they kiss so hot" will be presented for the first time in the direction of director Thomas Kerbl on the stage of Bad Hall. With "Giuditta," his last operetta, Franz Lehár fulfilled his dream in 1934 to have one of his operettas premiered at the Vienna State Opera. Picturesque settings with scenes leading from a Spanish port city to the North African desert once again promise the atmospheric flair of the operetta festival.

The great masterpiece by Franz Lehár with world hits like "Friends, life is worth living" and "My lips, they kiss so hot" will be presented for the first time in the direction of director Thomas Kerbl on the stage of Bad Hall. With "Giuditta," his last operetta, Franz Lehár fulfilled his dream in 1934 to have one of his operettas premiered at the Vienna State Opera. Picturesque settings with scenes leading from a Spanish port city to the North African desert once again promise the atmospheric flair of the operetta festival.