eventsTODAY - Hope on 11/11/2024 in Wien

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Hope

Monday, 11/11/2024 at 7:30 PM

Hope

Monday, 11/11/2024
at 7:30 PM

More on 11/11/2024

Dschungel Wien
Museumsplatz 1
1070 Wien

More in Wien

The following text was automatically translated.
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FROM + WITH
Gabriele Wappel, Janina Sollmann, Sara Wilnauer-Leitner, Michael Haller, Milano Leeb, René Friesacher, Hannah Zauner, Martin Wax, Lena Obenaus and guests

The disaster is complete. Message after message after message. I worry about the world. I worry about the future. I worry. And in the middle of it all, you don’t write back. Still hoping? Or giving up? Fighting? Complying? Even trusting? Throwing oneself into the becoming?

The schallundrauch agency researches the strategy of hope and invites guests whose experiences and ideas give us hope. Guests who have dealt with despair and hope in different stages of life and contexts, who have mastered crises or launched innovative initiatives.

HOPE is a museum-theatrical installation about hoping and worrying. The performers and their guests share stories from their lives. Together they find themselves in hopeless situations, engage in philosophical discussions, rearrange, declutter, tell stories, sing desperate songs and empowerment anthems, invent forward-looking technologies, dance with hanging heads, eat insects, and save the world as hobbits.

The audience moves through the space like through a museum and can pause at the individual people and stations to listen. This museum operation is interrupted by performative interludes, dance, and the hope choir.

Event data provided by: oeticket

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Hosted by: Adina Wilcke

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Nasti's real name is Anastasia and she has a big problem: She is afraid a lot and often. For example, there’s her fear of being alone, the dark, dark basements, horrible movies, and all kinds of dogs. Her best friend, on the other hand, is never afraid and Nasti knows why: She has a guardian angel, which she wears as a pendant on a golden chain around her neck. Longingly, Nasti wishes for such a guardian angel as well. Although that doesn't happen, a certain Rosa Riedl enters Nasti's life – a "guardian ghost" and, by the way, the first worker ghost in Vienna. Despite her advanced age and her ghostly flat feet, Rosa Riedl tirelessly fights for justice and accompanies Nasti from then on. Of course, certain ghostly occurrences don't remain hidden from her surroundings for long, but fortunately, Rosa Riedl is sympathetic to everyone after a brief shock. But then Rosa Riedl disappears due to an accident and Nasti must overcome her fear and help Rosa Riedl.

In ROSA RIEDL, SCHUTZGESPENST, Christine Nöstlinger charmingly and humorously tells a story of courage, friendship, and the necessity of standing up for others.

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AUTORIN Christine Nöstlinger
AUSSTATTUNG Petra Schnakenberg
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REGIEASSISTENZ Alexandra Kurcikova
AUSSTATTUNGSASSISTENZ Ida Bekić
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Nasti's real name is Anastasia and she has a big problem: She is afraid a lot and often. For example, there’s her fear of being alone, the dark, dark basements, horrible movies, and all kinds of dogs. Her best friend, on the other hand, is never afraid and Nasti knows why: She has a guardian angel, which she wears as a pendant on a golden chain around her neck. Longingly, Nasti wishes for such a guardian angel as well. Although that doesn't happen, a certain Rosa Riedl enters Nasti's life – a "guardian ghost" and, by the way, the first worker ghost in Vienna. Despite her advanced age and her ghostly flat feet, Rosa Riedl tirelessly fights for justice and accompanies Nasti from then on. Of course, certain ghostly occurrences don't remain hidden from her surroundings for long, but fortunately, Rosa Riedl is sympathetic to everyone after a brief shock. But then Rosa Riedl disappears due to an accident and Nasti must overcome her fear and help Rosa Riedl.

In ROSA RIEDL, SCHUTZGESPENST, Christine Nöstlinger charmingly and humorously tells a story of courage, friendship, and the necessity of standing up for others.

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Their feathers shimmer black. With their strange hairstyle and long, bright red beak, they look like they came out of a fairy tale. Their wings have forgotten the way south.

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AUSSTATTUNGSASSISTENZ Ida Bekić
SCHAUSPIEL Caroline Koczan, Emilia Rupperti, Wolfram Rupperti, Pilar Borower

Nasti's real name is Anastasia and she has a big problem: She is afraid a lot and often. For example, there’s her fear of being alone, the dark, dark basements, horrible movies, and all kinds of dogs. Her best friend, on the other hand, is never afraid and Nasti knows why: She has a guardian angel, which she wears as a pendant on a golden chain around her neck. Longingly, Nasti wishes for such a guardian angel as well. Although that doesn't happen, a certain Rosa Riedl enters Nasti's life – a "guardian ghost" and, by the way, the first worker ghost in Vienna. Despite her advanced age and her ghostly flat feet, Rosa Riedl tirelessly fights for justice and accompanies Nasti from then on. Of course, certain ghostly occurrences don't remain hidden from her surroundings for long, but fortunately, Rosa Riedl is sympathetic to everyone after a brief shock. But then Rosa Riedl disappears due to an accident and Nasti must overcome her fear and help Rosa Riedl.

In ROSA RIEDL, SCHUTZGESPENST, Christine Nöstlinger charmingly and humorously tells a story of courage, friendship, and the necessity of standing up for others.

Wien

12/18/2024
2:30 PM

REGIE
Janina Sollmann

REGIEASSISTENZ
Ottilia Gaurean

BÜHNE
Michael Haller

KOSTÜM
Afra Kirchdorfer

LICHT
Michael Zweimüller

MUSIKALISCHES COACHING
Theresa Seits, Petra Slottová

KÜNSTLERISCHE MITARBEIT
Silvia Auer, Gabriele Wappel, Michael Haller

PRODUKTION + PRESSE
Lena Obenaus

KOORDINATION WORKSHOPS
Martin Wax

PERFORMANCE + TANZ
+ MUSIK + STÜCKENTWICKLUNG
Gabriele Wappel, Jasmin Steffl, Lawrence Ritchie

Their feathers shimmer black. With their strange hairstyle and long, bright red beak, they look like they came out of a fairy tale. Their wings have forgotten the way south.

The waldrapp. They are native to us but were almost extinct. In the zoo, they survived but forgot how to return to their winter quarters in Italy and come back again. In order for them to live in the wild again, the migratory birds need to learn this route again. Humans are now helping as foster parents for the waldrapp chicks. For example, Katharina. She flies ahead in a light aircraft and the waldrapp chicks follow her.

The world of waldrapps is full of stories. Stories about beauty on a second glance, friendship between animals and humans, loving accompaniment, respect between adults and children, about migratory birds, and about what family can mean. The schallundrauch agency tells these stories, dances, flies, and sings about hope and about trying something, even when it is difficult.

Wien

12/18/2024
9:30 AM

Rosa Riedl, Schutzgespenst

REGIE Anna Horn
AUTORIN Christine Nöstlinger
AUSSTATTUNG Petra Schnakenberg
DRAMATURGIE Armela Madreiter
MUSIK Nikolaj Efendi
OUTSIDE EYE Götz Leineweber
REGIEASSISTENZ Alexandra Kurcikova
AUSSTATTUNGSASSISTENZ Ida Bekić
SCHAUSPIEL Caroline Koczan, Emilia Rupperti, Wolfram Rupperti, Pilar Borower

Nasti's real name is Anastasia and she has a big problem: She is afraid a lot and often. For example, there’s her fear of being alone, the dark, dark basements, horrible movies, and all kinds of dogs. Her best friend, on the other hand, is never afraid and Nasti knows why: She has a guardian angel, which she wears as a pendant on a golden chain around her neck. Longingly, Nasti wishes for such a guardian angel as well. Although that doesn't happen, a certain Rosa Riedl enters Nasti's life – a "guardian ghost" and, by the way, the first worker ghost in Vienna. Despite her advanced age and her ghostly flat feet, Rosa Riedl tirelessly fights for justice and accompanies Nasti from then on. Of course, certain ghostly occurrences don't remain hidden from her surroundings for long, but fortunately, Rosa Riedl is sympathetic to everyone after a brief shock. But then Rosa Riedl disappears due to an accident and Nasti must overcome her fear and help Rosa Riedl.

In ROSA RIEDL, SCHUTZGESPENST, Christine Nöstlinger charmingly and humorously tells a story of courage, friendship, and the necessity of standing up for others.

Wien

12/18/2024
10:00 AM

Weihnachten ist überall

BY + WITH Timna Brauer

Did you know that in Scandinavia, pets also receive gifts on Christmas Day? And that in Liberia, on the west African Atlantic coast, Santa Claus asks the children for gifts? Timna Brauer has researched such and many other experienced Christmas traditions. The result is original stories, insightful and full of imagination and humor.

The artist also brings these anecdotes to the stage musically. A sonorous reading, a pre-Christmas celebration for the whole family.

By attending, you support the cultural sponsorship for children and young people who cannot afford to go to the theater or participate in a theater workshop. We look forward to seeing you and every (further) donation!

Wien

12/19/2024
2:30 PM

Rosa Riedl, Schutzgespenst

REGIE Anna Horn
AUTORIN Christine Nöstlinger
AUSSTATTUNG Petra Schnakenberg
DRAMATURGIE Armela Madreiter
MUSIK Nikolaj Efendi
OUTSIDE EYE Götz Leineweber
REGIEASSISTENZ Alexandra Kurcikova
AUSSTATTUNGSASSISTENZ Ida Bekić
SCHAUSPIEL Caroline Koczan, Emilia Rupperti, Wolfram Rupperti, Pilar Borower

Nasti's real name is Anastasia and she has a big problem: She is afraid a lot and often. For example, there’s her fear of being alone, the dark, dark basements, horrible movies, and all kinds of dogs. Her best friend, on the other hand, is never afraid and Nasti knows why: She has a guardian angel, which she wears as a pendant on a golden chain around her neck. Longingly, Nasti wishes for such a guardian angel as well. Although that doesn't happen, a certain Rosa Riedl enters Nasti's life – a "guardian ghost" and, by the way, the first worker ghost in Vienna. Despite her advanced age and her ghostly flat feet, Rosa Riedl tirelessly fights for justice and accompanies Nasti from then on. Of course, certain ghostly occurrences don't remain hidden from her surroundings for long, but fortunately, Rosa Riedl is sympathetic to everyone after a brief shock. But then Rosa Riedl disappears due to an accident and Nasti must overcome her fear and help Rosa Riedl.

In ROSA RIEDL, SCHUTZGESPENST, Christine Nöstlinger charmingly and humorously tells a story of courage, friendship, and the necessity of standing up for others.

Wien

12/19/2024
10:00 AM

REGIE
Janina Sollmann

REGIEASSISTENZ
Ottilia Gaurean

BÜHNE
Michael Haller

KOSTÜM
Afra Kirchdorfer

LICHT
Michael Zweimüller

MUSIKALISCHES COACHING
Theresa Seits, Petra Slottová

KÜNSTLERISCHE MITARBEIT
Silvia Auer, Gabriele Wappel, Michael Haller

PRODUKTION + PRESSE
Lena Obenaus

KOORDINATION WORKSHOPS
Martin Wax

PERFORMANCE + TANZ
+ MUSIK + STÜCKENTWICKLUNG
Gabriele Wappel, Jasmin Steffl, Lawrence Ritchie

Their feathers shimmer black. With their strange hairstyle and long, bright red beak, they look like they came out of a fairy tale. Their wings have forgotten the way south.

The waldrapp. They are native to us but were almost extinct. In the zoo, they survived but forgot how to return to their winter quarters in Italy and come back again. In order for them to live in the wild again, the migratory birds need to learn this route again. Humans are now helping as foster parents for the waldrapp chicks. For example, Katharina. She flies ahead in a light aircraft and the waldrapp chicks follow her.

The world of waldrapps is full of stories. Stories about beauty on a second glance, friendship between animals and humans, loving accompaniment, respect between adults and children, about migratory birds, and about what family can mean. The schallundrauch agency tells these stories, dances, flies, and sings about hope and about trying something, even when it is difficult.

Wien

12/19/2024
9:30 AM

Weihnachten ist überall

BY + WITH Timna Brauer

Did you know that in Scandinavia, pets also receive gifts on Christmas Day? And that in Liberia, on the west African Atlantic coast, Santa Claus asks the children for gifts? Timna Brauer has researched such and many other experienced Christmas traditions. The result is original stories, insightful and full of imagination and humor.

The artist also brings these anecdotes to the stage musically. A sonorous reading, a pre-Christmas celebration for the whole family.

By attending, you support the cultural sponsorship for children and young people who cannot afford to go to the theater or participate in a theater workshop. We look forward to seeing you and every (further) donation!

Wien

12/21/2024
4:00 PM

REGIE
Janina Sollmann

REGIEASSISTENZ
Ottilia Gaurean

BÜHNE
Michael Haller

KOSTÜM
Afra Kirchdorfer

LICHT
Michael Zweimüller

MUSIKALISCHES COACHING
Theresa Seits, Petra Slottová

KÜNSTLERISCHE MITARBEIT
Silvia Auer, Gabriele Wappel, Michael Haller

PRODUKTION + PRESSE
Lena Obenaus

KOORDINATION WORKSHOPS
Martin Wax

PERFORMANCE + TANZ
+ MUSIK + STÜCKENTWICKLUNG
Gabriele Wappel, Jasmin Steffl, Lawrence Ritchie

Their feathers shimmer black. With their strange hairstyle and long, bright red beak, they look like they came out of a fairy tale. Their wings have forgotten the way south.

The waldrapp. They are native to us but were almost extinct. In the zoo, they survived but forgot how to return to their winter quarters in Italy and come back again. In order for them to live in the wild again, the migratory birds need to learn this route again. Humans are now helping as foster parents for the waldrapp chicks. For example, Katharina. She flies ahead in a light aircraft and the waldrapp chicks follow her.

The world of waldrapps is full of stories. Stories about beauty on a second glance, friendship between animals and humans, loving accompaniment, respect between adults and children, about migratory birds, and about what family can mean. The schallundrauch agency tells these stories, dances, flies, and sings about hope and about trying something, even when it is difficult.

Wien

12/21/2024
3:00 PM

Rosa Riedl, Schutzgespenst

REGIE Anna Horn
AUTORIN Christine Nöstlinger
AUSSTATTUNG Petra Schnakenberg
DRAMATURGIE Armela Madreiter
MUSIK Nikolaj Efendi
OUTSIDE EYE Götz Leineweber
REGIEASSISTENZ Alexandra Kurcikova
AUSSTATTUNGSASSISTENZ Ida Bekić
SCHAUSPIEL Caroline Koczan, Emilia Rupperti, Wolfram Rupperti, Pilar Borower

Nasti's real name is Anastasia and she has a big problem: She is afraid a lot and often. For example, there’s her fear of being alone, the dark, dark basements, horrible movies, and all kinds of dogs. Her best friend, on the other hand, is never afraid and Nasti knows why: She has a guardian angel, which she wears as a pendant on a golden chain around her neck. Longingly, Nasti wishes for such a guardian angel as well. Although that doesn't happen, a certain Rosa Riedl enters Nasti's life – a "guardian ghost" and, by the way, the first worker ghost in Vienna. Despite her advanced age and her ghostly flat feet, Rosa Riedl tirelessly fights for justice and accompanies Nasti from then on. Of course, certain ghostly occurrences don't remain hidden from her surroundings for long, but fortunately, Rosa Riedl is sympathetic to everyone after a brief shock. But then Rosa Riedl disappears due to an accident and Nasti must overcome her fear and help Rosa Riedl.

In ROSA RIEDL, SCHUTZGESPENST, Christine Nöstlinger charmingly and humorously tells a story of courage, friendship, and the necessity of standing up for others.

Wien

12/21/2024
3:30 PM

Rosa Riedl, Schutzgespenst

REGIE Anna Horn
AUTORIN Christine Nöstlinger
AUSSTATTUNG Petra Schnakenberg
DRAMATURGIE Armela Madreiter
MUSIK Nikolaj Efendi
OUTSIDE EYE Götz Leineweber
REGIEASSISTENZ Alexandra Kurcikova
AUSSTATTUNGSASSISTENZ Ida Bekić
SCHAUSPIEL Caroline Koczan, Emilia Rupperti, Wolfram Rupperti, Pilar Borower

Nasti's real name is Anastasia and she has a big problem: She is afraid a lot and often. For example, there’s her fear of being alone, the dark, dark basements, horrible movies, and all kinds of dogs. Her best friend, on the other hand, is never afraid and Nasti knows why: She has a guardian angel, which she wears as a pendant on a golden chain around her neck. Longingly, Nasti wishes for such a guardian angel as well. Although that doesn't happen, a certain Rosa Riedl enters Nasti's life – a "guardian ghost" and, by the way, the first worker ghost in Vienna. Despite her advanced age and her ghostly flat feet, Rosa Riedl tirelessly fights for justice and accompanies Nasti from then on. Of course, certain ghostly occurrences don't remain hidden from her surroundings for long, but fortunately, Rosa Riedl is sympathetic to everyone after a brief shock. But then Rosa Riedl disappears due to an accident and Nasti must overcome her fear and help Rosa Riedl.

In ROSA RIEDL, SCHUTZGESPENST, Christine Nöstlinger charmingly and humorously tells a story of courage, friendship, and the necessity of standing up for others.

Wien

12/22/2024
3:30 PM

Weihnachten ist überall

BY + WITH Timna Brauer

Did you know that in Scandinavia, pets also receive gifts on Christmas Day? And that in Liberia, on the west African Atlantic coast, Santa Claus asks the children for gifts? Timna Brauer has researched such and many other experienced Christmas traditions. The result is original stories, insightful and full of imagination and humor.

The artist also brings these anecdotes to the stage musically. A sonorous reading, a pre-Christmas celebration for the whole family.

By attending, you support the cultural sponsorship for children and young people who cannot afford to go to the theater or participate in a theater workshop. We look forward to seeing you and every (further) donation!

Wien

12/22/2024
4:00 PM

REGIE
Janina Sollmann

REGIEASSISTENZ
Ottilia Gaurean

BÜHNE
Michael Haller

KOSTÜM
Afra Kirchdorfer

LICHT
Michael Zweimüller

MUSIKALISCHES COACHING
Theresa Seits, Petra Slottová

KÜNSTLERISCHE MITARBEIT
Silvia Auer, Gabriele Wappel, Michael Haller

PRODUKTION + PRESSE
Lena Obenaus

KOORDINATION WORKSHOPS
Martin Wax

PERFORMANCE + TANZ
+ MUSIK + STÜCKENTWICKLUNG
Gabriele Wappel, Jasmin Steffl, Lawrence Ritchie

Their feathers shimmer black. With their strange hairstyle and long, bright red beak, they look like they came out of a fairy tale. Their wings have forgotten the way south.

The waldrapp. They are native to us but were almost extinct. In the zoo, they survived but forgot how to return to their winter quarters in Italy and come back again. In order for them to live in the wild again, the migratory birds need to learn this route again. Humans are now helping as foster parents for the waldrapp chicks. For example, Katharina. She flies ahead in a light aircraft and the waldrapp chicks follow her.

The world of waldrapps is full of stories. Stories about beauty on a second glance, friendship between animals and humans, loving accompaniment, respect between adults and children, about migratory birds, and about what family can mean. The schallundrauch agency tells these stories, dances, flies, and sings about hope and about trying something, even when it is difficult.

Wien

12/22/2024
3:00 PM

Rosa Riedl, Schutzgespenst

REGIE Anna Horn
AUTORIN Christine Nöstlinger
AUSSTATTUNG Petra Schnakenberg
DRAMATURGIE Armela Madreiter
MUSIK Nikolaj Efendi
OUTSIDE EYE Götz Leineweber
REGIEASSISTENZ Alexandra Kurcikova
AUSSTATTUNGSASSISTENZ Ida Bekić
SCHAUSPIEL Caroline Koczan, Emilia Rupperti, Wolfram Rupperti, Pilar Borower

Nasti's real name is Anastasia and she has a big problem: She is afraid a lot and often. For example, there’s her fear of being alone, the dark, dark basements, horrible movies, and all kinds of dogs. Her best friend, on the other hand, is never afraid and Nasti knows why: She has a guardian angel, which she wears as a pendant on a golden chain around her neck. Longingly, Nasti wishes for such a guardian angel as well. Although that doesn't happen, a certain Rosa Riedl enters Nasti's life – a "guardian ghost" and, by the way, the first worker ghost in Vienna. Despite her advanced age and her ghostly flat feet, Rosa Riedl tirelessly fights for justice and accompanies Nasti from then on. Of course, certain ghostly occurrences don't remain hidden from her surroundings for long, but fortunately, Rosa Riedl is sympathetic to everyone after a brief shock. But then Rosa Riedl disappears due to an accident and Nasti must overcome her fear and help Rosa Riedl.

In ROSA RIEDL, SCHUTZGESPENST, Christine Nöstlinger charmingly and humorously tells a story of courage, friendship, and the necessity of standing up for others.

Wien

12/23/2024
3:30 PM

Rosa Riedl, Schutzgespenst

REGIE Anna Horn
AUTORIN Christine Nöstlinger
AUSSTATTUNG Petra Schnakenberg
DRAMATURGIE Armela Madreiter
MUSIK Nikolaj Efendi
OUTSIDE EYE Götz Leineweber
REGIEASSISTENZ Alexandra Kurcikova
AUSSTATTUNGSASSISTENZ Ida Bekić
SCHAUSPIEL Caroline Koczan, Emilia Rupperti, Wolfram Rupperti, Pilar Borower

Nasti's real name is Anastasia and she has a big problem: She is afraid a lot and often. For example, there’s her fear of being alone, the dark, dark basements, horrible movies, and all kinds of dogs. Her best friend, on the other hand, is never afraid and Nasti knows why: She has a guardian angel, which she wears as a pendant on a golden chain around her neck. Longingly, Nasti wishes for such a guardian angel as well. Although that doesn't happen, a certain Rosa Riedl enters Nasti's life – a "guardian ghost" and, by the way, the first worker ghost in Vienna. Despite her advanced age and her ghostly flat feet, Rosa Riedl tirelessly fights for justice and accompanies Nasti from then on. Of course, certain ghostly occurrences don't remain hidden from her surroundings for long, but fortunately, Rosa Riedl is sympathetic to everyone after a brief shock. But then Rosa Riedl disappears due to an accident and Nasti must overcome her fear and help Rosa Riedl.

In ROSA RIEDL, SCHUTZGESPENST, Christine Nöstlinger charmingly and humorously tells a story of courage, friendship, and the necessity of standing up for others.

Wien

12/24/2024
2:30 PM

Rosa Riedl, Schutzgespenst

REGIE Anna Horn
AUTORIN Christine Nöstlinger
AUSSTATTUNG Petra Schnakenberg
DRAMATURGIE Armela Madreiter
MUSIK Nikolaj Efendi
OUTSIDE EYE Götz Leineweber
REGIEASSISTENZ Alexandra Kurcikova
AUSSTATTUNGSASSISTENZ Ida Bekić
SCHAUSPIEL Caroline Koczan, Emilia Rupperti, Wolfram Rupperti, Pilar Borower

Nasti's real name is Anastasia and she has a big problem: She is afraid a lot and often. For example, there’s her fear of being alone, the dark, dark basements, horrible movies, and all kinds of dogs. Her best friend, on the other hand, is never afraid and Nasti knows why: She has a guardian angel, which she wears as a pendant on a golden chain around her neck. Longingly, Nasti wishes for such a guardian angel as well. Although that doesn't happen, a certain Rosa Riedl enters Nasti's life – a "guardian ghost" and, by the way, the first worker ghost in Vienna. Despite her advanced age and her ghostly flat feet, Rosa Riedl tirelessly fights for justice and accompanies Nasti from then on. Of course, certain ghostly occurrences don't remain hidden from her surroundings for long, but fortunately, Rosa Riedl is sympathetic to everyone after a brief shock. But then Rosa Riedl disappears due to an accident and Nasti must overcome her fear and help Rosa Riedl.

In ROSA RIEDL, SCHUTZGESPENST, Christine Nöstlinger charmingly and humorously tells a story of courage, friendship, and the necessity of standing up for others.

Wien

12/24/2024
11:00 AM

Rosa Riedl, Schutzgespenst

REGIE Anna Horn
AUTORIN Christine Nöstlinger
AUSSTATTUNG Petra Schnakenberg
DRAMATURGIE Armela Madreiter
MUSIK Nikolaj Efendi
OUTSIDE EYE Götz Leineweber
REGIEASSISTENZ Alexandra Kurcikova
AUSSTATTUNGSASSISTENZ Ida Bekić
SCHAUSPIEL Caroline Koczan, Emilia Rupperti, Wolfram Rupperti, Pilar Borower

Nasti's real name is Anastasia and she has a big problem: She is afraid a lot and often. For example, there’s her fear of being alone, the dark, dark basements, horrible movies, and all kinds of dogs. Her best friend, on the other hand, is never afraid and Nasti knows why: She has a guardian angel, which she wears as a pendant on a golden chain around her neck. Longingly, Nasti wishes for such a guardian angel as well. Although that doesn't happen, a certain Rosa Riedl enters Nasti's life – a "guardian ghost" and, by the way, the first worker ghost in Vienna. Despite her advanced age and her ghostly flat feet, Rosa Riedl tirelessly fights for justice and accompanies Nasti from then on. Of course, certain ghostly occurrences don't remain hidden from her surroundings for long, but fortunately, Rosa Riedl is sympathetic to everyone after a brief shock. But then Rosa Riedl disappears due to an accident and Nasti must overcome her fear and help Rosa Riedl.

In ROSA RIEDL, SCHUTZGESPENST, Christine Nöstlinger charmingly and humorously tells a story of courage, friendship, and the necessity of standing up for others.

Wien

12/27/2024
3:30 PM

Rosa Riedl, Schutzgespenst

REGIE Anna Horn
AUTORIN Christine Nöstlinger
AUSSTATTUNG Petra Schnakenberg
DRAMATURGIE Armela Madreiter
MUSIK Nikolaj Efendi
OUTSIDE EYE Götz Leineweber
REGIEASSISTENZ Alexandra Kurcikova
AUSSTATTUNGSASSISTENZ Ida Bekić
SCHAUSPIEL Caroline Koczan, Emilia Rupperti, Wolfram Rupperti, Pilar Borower

Nasti's real name is Anastasia and she has a big problem: She is afraid a lot and often. For example, there’s her fear of being alone, the dark, dark basements, horrible movies, and all kinds of dogs. Her best friend, on the other hand, is never afraid and Nasti knows why: She has a guardian angel, which she wears as a pendant on a golden chain around her neck. Longingly, Nasti wishes for such a guardian angel as well. Although that doesn't happen, a certain Rosa Riedl enters Nasti's life – a "guardian ghost" and, by the way, the first worker ghost in Vienna. Despite her advanced age and her ghostly flat feet, Rosa Riedl tirelessly fights for justice and accompanies Nasti from then on. Of course, certain ghostly occurrences don't remain hidden from her surroundings for long, but fortunately, Rosa Riedl is sympathetic to everyone after a brief shock. But then Rosa Riedl disappears due to an accident and Nasti must overcome her fear and help Rosa Riedl.

In ROSA RIEDL, SCHUTZGESPENST, Christine Nöstlinger charmingly and humorously tells a story of courage, friendship, and the necessity of standing up for others.

Wien

12/28/2024
3:30 PM

Ages 2-6
45 minutes (followed by free play)
No language

Themes: Discovery, Art, Baroque, Music Playground, Interaction

A co-production with Concert Office Varaždin / Baroque Evenings Festival + Kliker Festival

Immerse yourself in the enchanting world of the Baroque era!

In the Baroque period, people enjoyed setting up cabinets of curiosities called "Wunderkammern", rooms where they kept wondrous things, curious exhibits, and treasures, "Mirabilia". VRUM Performing Arts Collective creates a cabinet full of wonders, secrets, and surprises and invites everyone from two years old to discover this mysterious universe. Accompanied by music from that time, visitors will delve into a world full of rich colors, intoxicating details, and sublime emotions, playfully exploring the fascinating works of artists like Rubens, Bach, or Handel.

VRUM Performing Arts Collective uses contemporary dance, its energetic language of movements, and figures full of folds and spirals to create a fascinating connection between past and present. Adapted for the youngest audience, it becomes a place of wonder, learning, and inspiring encounters that brings an era to life.

Wien

12/28/2024
3:00 PM

Ages 2-6
45 minutes (followed by free play)
No language

Themes: Discovery, Art, Baroque, Music Playground, Interaction

A co-production with Concert Office Varaždin / Baroque Evenings Festival + Kliker Festival

Immerse yourself in the enchanting world of the Baroque era!

In the Baroque period, people enjoyed setting up cabinets of curiosities called "Wunderkammern", rooms where they kept wondrous things, curious exhibits, and treasures, "Mirabilia". VRUM Performing Arts Collective creates a cabinet full of wonders, secrets, and surprises and invites everyone from two years old to discover this mysterious universe. Accompanied by music from that time, visitors will delve into a world full of rich colors, intoxicating details, and sublime emotions, playfully exploring the fascinating works of artists like Rubens, Bach, or Handel.

VRUM Performing Arts Collective uses contemporary dance, its energetic language of movements, and figures full of folds and spirals to create a fascinating connection between past and present. Adapted for the youngest audience, it becomes a place of wonder, learning, and inspiring encounters that brings an era to life.

Wien

12/29/2024
10:30 AM

Ages 2-6
45 minutes (followed by free play)
No language

Themes: Discovery, Art, Baroque, Music Playground, Interaction

A co-production with Concert Office Varaždin / Baroque Evenings Festival + Kliker Festival

Immerse yourself in the enchanting world of the Baroque era!

In the Baroque period, people enjoyed setting up cabinets of curiosities called "Wunderkammern", rooms where they kept wondrous things, curious exhibits, and treasures, "Mirabilia". VRUM Performing Arts Collective creates a cabinet full of wonders, secrets, and surprises and invites everyone from two years old to discover this mysterious universe. Accompanied by music from that time, visitors will delve into a world full of rich colors, intoxicating details, and sublime emotions, playfully exploring the fascinating works of artists like Rubens, Bach, or Handel.

VRUM Performing Arts Collective uses contemporary dance, its energetic language of movements, and figures full of folds and spirals to create a fascinating connection between past and present. Adapted for the youngest audience, it becomes a place of wonder, learning, and inspiring encounters that brings an era to life.

Wien

12/29/2024
3:00 PM

Rosa Riedl, Schutzgespenst

REGIE Anna Horn
AUTORIN Christine Nöstlinger
AUSSTATTUNG Petra Schnakenberg
DRAMATURGIE Armela Madreiter
MUSIK Nikolaj Efendi
OUTSIDE EYE Götz Leineweber
REGIEASSISTENZ Alexandra Kurcikova
AUSSTATTUNGSASSISTENZ Ida Bekić
SCHAUSPIEL Caroline Koczan, Emilia Rupperti, Wolfram Rupperti, Pilar Borower

Nasti's real name is Anastasia and she has a big problem: She is afraid a lot and often. For example, there’s her fear of being alone, the dark, dark basements, horrible movies, and all kinds of dogs. Her best friend, on the other hand, is never afraid and Nasti knows why: She has a guardian angel, which she wears as a pendant on a golden chain around her neck. Longingly, Nasti wishes for such a guardian angel as well. Although that doesn't happen, a certain Rosa Riedl enters Nasti's life – a "guardian ghost" and, by the way, the first worker ghost in Vienna. Despite her advanced age and her ghostly flat feet, Rosa Riedl tirelessly fights for justice and accompanies Nasti from then on. Of course, certain ghostly occurrences don't remain hidden from her surroundings for long, but fortunately, Rosa Riedl is sympathetic to everyone after a brief shock. But then Rosa Riedl disappears due to an accident and Nasti must overcome her fear and help Rosa Riedl.

In ROSA RIEDL, SCHUTZGESPENST, Christine Nöstlinger charmingly and humorously tells a story of courage, friendship, and the necessity of standing up for others.

Wien

12/29/2024
3:30 PM

Ages 2-6
45 minutes (followed by free play)
No language

Themes: Discovery, Art, Baroque, Music Playground, Interaction

A co-production with Concert Office Varaždin / Baroque Evenings Festival + Kliker Festival

Immerse yourself in the enchanting world of the Baroque era!

In the Baroque period, people enjoyed setting up cabinets of curiosities called "Wunderkammern", rooms where they kept wondrous things, curious exhibits, and treasures, "Mirabilia". VRUM Performing Arts Collective creates a cabinet full of wonders, secrets, and surprises and invites everyone from two years old to discover this mysterious universe. Accompanied by music from that time, visitors will delve into a world full of rich colors, intoxicating details, and sublime emotions, playfully exploring the fascinating works of artists like Rubens, Bach, or Handel.

VRUM Performing Arts Collective uses contemporary dance, its energetic language of movements, and figures full of folds and spirals to create a fascinating connection between past and present. Adapted for the youngest audience, it becomes a place of wonder, learning, and inspiring encounters that brings an era to life.

Wien

12/30/2024
10:30 AM

Rosa Riedl, Schutzgespenst

REGIE Anna Horn
AUTORIN Christine Nöstlinger
AUSSTATTUNG Petra Schnakenberg
DRAMATURGIE Armela Madreiter
MUSIK Nikolaj Efendi
OUTSIDE EYE Götz Leineweber
REGIEASSISTENZ Alexandra Kurcikova
AUSSTATTUNGSASSISTENZ Ida Bekić
SCHAUSPIEL Caroline Koczan, Emilia Rupperti, Wolfram Rupperti, Pilar Borower

Nasti's real name is Anastasia and she has a big problem: She is afraid a lot and often. For example, there’s her fear of being alone, the dark, dark basements, horrible movies, and all kinds of dogs. Her best friend, on the other hand, is never afraid and Nasti knows why: She has a guardian angel, which she wears as a pendant on a golden chain around her neck. Longingly, Nasti wishes for such a guardian angel as well. Although that doesn't happen, a certain Rosa Riedl enters Nasti's life – a "guardian ghost" and, by the way, the first worker ghost in Vienna. Despite her advanced age and her ghostly flat feet, Rosa Riedl tirelessly fights for justice and accompanies Nasti from then on. Of course, certain ghostly occurrences don't remain hidden from her surroundings for long, but fortunately, Rosa Riedl is sympathetic to everyone after a brief shock. But then Rosa Riedl disappears due to an accident and Nasti must overcome her fear and help Rosa Riedl.

In ROSA RIEDL, SCHUTZGESPENST, Christine Nöstlinger charmingly and humorously tells a story of courage, friendship, and the necessity of standing up for others.

Wien

12/30/2024
3:30 PM

Ages 2-6
45 minutes (followed by free play)
No language

Themes: Discovery, Art, Baroque, Music Playground, Interaction

A co-production with Concert Office Varaždin / Baroque Evenings Festival + Kliker Festival

Immerse yourself in the enchanting world of the Baroque era!

In the Baroque period, people enjoyed setting up cabinets of curiosities called "Wunderkammern", rooms where they kept wondrous things, curious exhibits, and treasures, "Mirabilia". VRUM Performing Arts Collective creates a cabinet full of wonders, secrets, and surprises and invites everyone from two years old to discover this mysterious universe. Accompanied by music from that time, visitors will delve into a world full of rich colors, intoxicating details, and sublime emotions, playfully exploring the fascinating works of artists like Rubens, Bach, or Handel.

VRUM Performing Arts Collective uses contemporary dance, its energetic language of movements, and figures full of folds and spirals to create a fascinating connection between past and present. Adapted for the youngest audience, it becomes a place of wonder, learning, and inspiring encounters that brings an era to life.

Wien

12/30/2024
3:00 PM

Rosa Riedl, Schutzgespenst

REGIE Anna Horn
AUTORIN Christine Nöstlinger
AUSSTATTUNG Petra Schnakenberg
DRAMATURGIE Armela Madreiter
MUSIK Nikolaj Efendi
OUTSIDE EYE Götz Leineweber
REGIEASSISTENZ Alexandra Kurcikova
AUSSTATTUNGSASSISTENZ Ida Bekić
SCHAUSPIEL Caroline Koczan, Emilia Rupperti, Wolfram Rupperti, Pilar Borower

Nasti's real name is Anastasia and she has a big problem: She is afraid a lot and often. For example, there’s her fear of being alone, the dark, dark basements, horrible movies, and all kinds of dogs. Her best friend, on the other hand, is never afraid and Nasti knows why: She has a guardian angel, which she wears as a pendant on a golden chain around her neck. Longingly, Nasti wishes for such a guardian angel as well. Although that doesn't happen, a certain Rosa Riedl enters Nasti's life – a "guardian ghost" and, by the way, the first worker ghost in Vienna. Despite her advanced age and her ghostly flat feet, Rosa Riedl tirelessly fights for justice and accompanies Nasti from then on. Of course, certain ghostly occurrences don't remain hidden from her surroundings for long, but fortunately, Rosa Riedl is sympathetic to everyone after a brief shock. But then Rosa Riedl disappears due to an accident and Nasti must overcome her fear and help Rosa Riedl.

In ROSA RIEDL, SCHUTZGESPENST, Christine Nöstlinger charmingly and humorously tells a story of courage, friendship, and the necessity of standing up for others.

Wien

12/31/2024
3:30 PM

Ages 2-6
45 minutes (followed by free play)
No language

Themes: Discovery, Art, Baroque, Music Playground, Interaction

A co-production with Concert Office Varaždin / Baroque Evenings Festival + Kliker Festival

Immerse yourself in the enchanting world of the Baroque era!

In the Baroque period, people enjoyed setting up cabinets of curiosities called "Wunderkammern", rooms where they kept wondrous things, curious exhibits, and treasures, "Mirabilia". VRUM Performing Arts Collective creates a cabinet full of wonders, secrets, and surprises and invites everyone from two years old to discover this mysterious universe. Accompanied by music from that time, visitors will delve into a world full of rich colors, intoxicating details, and sublime emotions, playfully exploring the fascinating works of artists like Rubens, Bach, or Handel.

VRUM Performing Arts Collective uses contemporary dance, its energetic language of movements, and figures full of folds and spirals to create a fascinating connection between past and present. Adapted for the youngest audience, it becomes a place of wonder, learning, and inspiring encounters that brings an era to life.

Wien

12/31/2024
3:00 PM

Ages 2-6
45 minutes (followed by free play)
No language

Themes: Discovery, Art, Baroque, Music Playground, Interaction

A co-production with Concert Office Varaždin / Baroque Evenings Festival + Kliker Festival

Immerse yourself in the enchanting world of the Baroque era!

In the Baroque period, people enjoyed setting up cabinets of curiosities called "Wunderkammern", rooms where they kept wondrous things, curious exhibits, and treasures, "Mirabilia". VRUM Performing Arts Collective creates a cabinet full of wonders, secrets, and surprises and invites everyone from two years old to discover this mysterious universe. Accompanied by music from that time, visitors will delve into a world full of rich colors, intoxicating details, and sublime emotions, playfully exploring the fascinating works of artists like Rubens, Bach, or Handel.

VRUM Performing Arts Collective uses contemporary dance, its energetic language of movements, and figures full of folds and spirals to create a fascinating connection between past and present. Adapted for the youngest audience, it becomes a place of wonder, learning, and inspiring encounters that brings an era to life.

Wien

12/31/2024
10:30 AM

Die komische Tür

Actually, Mila just wanted to quickly get a new string for her kite. But in the attic, she comes across a really strange door. It can not only talk, but it also has a special secret: Every time you open it, something new appears on the other side. It can lead to a room, but also to a forest, a fairground, another planet, the desert, or underwater. Unfortunately, the door cannot determine itself where it leads or which people and beings will appear behind it. That's why it has been banished to the attic. But Mila understands. Because she too sometimes has emotional outbursts that come out of nowhere and that she cannot always control. And so begins a joint adventure.

With lots of theatrical magic, imaginative play, and dialogues and songs that are equally funny and poetic, colorful worlds, quirky characters, and new friendships emerge in a short time. After "The Magic Flute" at the Burgtheater, director and composer Nils Strunk and author Lukas Schrenk are now daring a musical play for all ages 4 and up. Come along and follow Mila on her journey through the funny door!

Text - Lukas Schrenk
DIRECTOR + MUSIC - Nils Strunk
Stage - Anna Reichmayr
Costumes - Anne Buffetrille
Lighting - Jana Resetarits
DIRECTOR'S ASSISTANT - Emily Nagl
COSTUME ASSISTANCE - Lara Regula
Performers - Emilia Rupperti, Philip Leonhard Kelz

Wien

1/3/2025
3:30 PM

Mischmatsch

Whoever knows the struggles of life deserves an ice cream!

What a mishmash! But isn't it supposed to be mishmash, without the "t"? "Doesn't matter!" says Wudri, because he loves everything that inspires the imagination. Especially fairy tales and stories, fables and poems. And he especially loves to tell everyone he meets about them! For him, it doesn't matter how much he mixes up – as long as the story is full of the characters and drama he loves so much. If you meet him for the first time on the street or in the park, you could almost believe that nothing is missing. But if you look closer and listen to him, you'll notice how much of himself is in his stories. "Mischmatsch" is the tale of a person on the fringes of society. For someone who has so little, the joy of life and the hunger for liveliness also mean survival. And it seems like his humor and yearning are the only things he can hold against his situation. "Mischmatsch" raises the question of how we want to live and everything it takes to look forward to a more just future, where humanity and the well-being of all become the most valuable asset we have.

By and with: Siruan Darbandi

Wien

1/3/2025
3:00 PM

Die komische Tür

Actually, Mila just wanted to quickly get a new string for her kite. But in the attic, she comes across a really strange door. It can not only talk, but it also has a special secret: Every time you open it, something new appears on the other side. It can lead to a room, but also to a forest, a fairground, another planet, the desert, or underwater. Unfortunately, the door cannot determine itself where it leads or which people and beings will appear behind it. That's why it has been banished to the attic. But Mila understands. Because she too sometimes has emotional outbursts that come out of nowhere and that she cannot always control. And so begins a joint adventure.

With lots of theatrical magic, imaginative play, and dialogues and songs that are equally funny and poetic, colorful worlds, quirky characters, and new friendships emerge in a short time. After "The Magic Flute" at the Burgtheater, director and composer Nils Strunk and author Lukas Schrenk are now daring a musical play for all ages 4 and up. Come along and follow Mila on her journey through the funny door!

Text - Lukas Schrenk
DIRECTOR + MUSIC - Nils Strunk
Stage - Anna Reichmayr
Costumes - Anne Buffetrille
Lighting - Jana Resetarits
DIRECTOR'S ASSISTANT - Emily Nagl
COSTUME ASSISTANCE - Lara Regula
Performers - Emilia Rupperti, Philip Leonhard Kelz

Wien

1/4/2025
3:30 PM

Mischmatsch

Whoever knows the struggles of life deserves an ice cream!

What a mishmash! But isn't it supposed to be mishmash, without the "t"? "Doesn't matter!" says Wudri, because he loves everything that inspires the imagination. Especially fairy tales and stories, fables and poems. And he especially loves to tell everyone he meets about them! For him, it doesn't matter how much he mixes up – as long as the story is full of the characters and drama he loves so much. If you meet him for the first time on the street or in the park, you could almost believe that nothing is missing. But if you look closer and listen to him, you'll notice how much of himself is in his stories. "Mischmatsch" is the tale of a person on the fringes of society. For someone who has so little, the joy of life and the hunger for liveliness also mean survival. And it seems like his humor and yearning are the only things he can hold against his situation. "Mischmatsch" raises the question of how we want to live and everything it takes to look forward to a more just future, where humanity and the well-being of all become the most valuable asset we have.

By and with: Siruan Darbandi

Wien

1/4/2025
3:00 PM

Mischmatsch

Whoever knows the struggles of life deserves an ice cream!

What a mishmash! But isn't it supposed to be mishmash, without the "t"? "Doesn't matter!" says Wudri, because he loves everything that inspires the imagination. Especially fairy tales and stories, fables and poems. And he especially loves to tell everyone he meets about them! For him, it doesn't matter how much he mixes up – as long as the story is full of the characters and drama he loves so much. If you meet him for the first time on the street or in the park, you could almost believe that nothing is missing. But if you look closer and listen to him, you'll notice how much of himself is in his stories. "Mischmatsch" is the tale of a person on the fringes of society. For someone who has so little, the joy of life and the hunger for liveliness also mean survival. And it seems like his humor and yearning are the only things he can hold against his situation. "Mischmatsch" raises the question of how we want to live and everything it takes to look forward to a more just future, where humanity and the well-being of all become the most valuable asset we have.

By and with: Siruan Darbandi

Wien

1/5/2025
3:00 PM

Die komische Tür

Actually, Mila just wanted to quickly get a new string for her kite. But in the attic, she comes across a really strange door. It can not only talk, but it also has a special secret: Every time you open it, something new appears on the other side. It can lead to a room, but also to a forest, a fairground, another planet, the desert, or underwater. Unfortunately, the door cannot determine itself where it leads or which people and beings will appear behind it. That's why it has been banished to the attic. But Mila understands. Because she too sometimes has emotional outbursts that come out of nowhere and that she cannot always control. And so begins a joint adventure.

With lots of theatrical magic, imaginative play, and dialogues and songs that are equally funny and poetic, colorful worlds, quirky characters, and new friendships emerge in a short time. After "The Magic Flute" at the Burgtheater, director and composer Nils Strunk and author Lukas Schrenk are now daring a musical play for all ages 4 and up. Come along and follow Mila on her journey through the funny door!

Text - Lukas Schrenk
DIRECTOR + MUSIC - Nils Strunk
Stage - Anna Reichmayr
Costumes - Anne Buffetrille
Lighting - Jana Resetarits
DIRECTOR'S ASSISTANT - Emily Nagl
COSTUME ASSISTANCE - Lara Regula
Performers - Emilia Rupperti, Philip Leonhard Kelz

Wien

1/5/2025
3:30 PM

Valse, Valse, Valse

CHOREOGRAPHY Johanna Heusser
MUSICAL DIRECTION Xenia Wiener
STAGE + LIGHT Marc Vilanova
DRAMATURGY Fiona Schreier
OUTSIDE EYES Stephan Stock, Katharina Germo
COSTUMES Diana Ammann
PRODUCTION MANAGEMENT Maxine Devaud / oh la la ‒ performing arts production
DIRECTOR ASSISTANCE Arina Fröhlich
TECHNICAL MANAGEMENT Chiara Leonhardt
MUSICIANS Joachim Flüeler, Marie Jeger, Sebastian Loetscher
PERFORMANCE Simea Cavelti, Neil Höhener, David Speiser, Momo Fabienne Tanner

The waltz belongs to Vienna like the schnitzel and the Prater. But don't be deceived, because behind the elegant turns lies more than just a form of dance. At the beginning of the 19th century, the waltz was criticized and partly banned due to its physical closeness and intimacy with the opposite sex. Also, because the dance puts the participants in a euphoric state through its rotations, which was thought to lead people to pursue their needs without restraint. Through the almost floating movement of the waltz, the relationship between the two dancers and the accompanying music creates a kind of trance. However, this trance has nothing to do with loss of control, but with the movement itself.

Johanna Heusser and her team of 4 dancers and 3 musicians take you on a journey. They ask whether the waltz ‒ a symbol of wealth and the upper class in today's time ‒ can preserve its rebellious nature. Will they succeed in uncovering its historical potential for misconduct and intoxication once again?

Wien

1/5/2025
6:00 PM

Mischmatsch

Whoever knows the struggles of life deserves an ice cream!

What a mishmash! But isn't it supposed to be mishmash, without the "t"? "Doesn't matter!" says Wudri, because he loves everything that inspires the imagination. Especially fairy tales and stories, fables and poems. And he especially loves to tell everyone he meets about them! For him, it doesn't matter how much he mixes up – as long as the story is full of the characters and drama he loves so much. If you meet him for the first time on the street or in the park, you could almost believe that nothing is missing. But if you look closer and listen to him, you'll notice how much of himself is in his stories. "Mischmatsch" is the tale of a person on the fringes of society. For someone who has so little, the joy of life and the hunger for liveliness also mean survival. And it seems like his humor and yearning are the only things he can hold against his situation. "Mischmatsch" raises the question of how we want to live and everything it takes to look forward to a more just future, where humanity and the well-being of all become the most valuable asset we have.

By and with: Siruan Darbandi

Wien

1/6/2025
3:00 PM

Valse, Valse, Valse

CHOREOGRAPHY Johanna Heusser
MUSICAL DIRECTION Xenia Wiener
STAGE + LIGHT Marc Vilanova
DRAMATURGY Fiona Schreier
OUTSIDE EYES Stephan Stock, Katharina Germo
COSTUMES Diana Ammann
PRODUCTION MANAGEMENT Maxine Devaud / oh la la ‒ performing arts production
DIRECTOR ASSISTANCE Arina Fröhlich
TECHNICAL MANAGEMENT Chiara Leonhardt
MUSICIANS Joachim Flüeler, Marie Jeger, Sebastian Loetscher
PERFORMANCE Simea Cavelti, Neil Höhener, David Speiser, Momo Fabienne Tanner

The waltz belongs to Vienna like the schnitzel and the Prater. But don't be deceived, because behind the elegant turns lies more than just a form of dance. At the beginning of the 19th century, the waltz was criticized and partly banned due to its physical closeness and intimacy with the opposite sex. Also, because the dance puts the participants in a euphoric state through its rotations, which was thought to lead people to pursue their needs without restraint. Through the almost floating movement of the waltz, the relationship between the two dancers and the accompanying music creates a kind of trance. However, this trance has nothing to do with loss of control, but with the movement itself.

Johanna Heusser and her team of 4 dancers and 3 musicians take you on a journey. They ask whether the waltz ‒ a symbol of wealth and the upper class in today's time ‒ can preserve its rebellious nature. Will they succeed in uncovering its historical potential for misconduct and intoxication once again?

Wien

1/6/2025
4:00 PM

Die komische Tür

Actually, Mila just wanted to quickly get a new string for her kite. But in the attic, she comes across a really strange door. It can not only talk, but it also has a special secret: Every time you open it, something new appears on the other side. It can lead to a room, but also to a forest, a fairground, another planet, the desert, or underwater. Unfortunately, the door cannot determine itself where it leads or which people and beings will appear behind it. That's why it has been banished to the attic. But Mila understands. Because she too sometimes has emotional outbursts that come out of nowhere and that she cannot always control. And so begins a joint adventure.

With lots of theatrical magic, imaginative play, and dialogues and songs that are equally funny and poetic, colorful worlds, quirky characters, and new friendships emerge in a short time. After "The Magic Flute" at the Burgtheater, director and composer Nils Strunk and author Lukas Schrenk are now daring a musical play for all ages 4 and up. Come along and follow Mila on her journey through the funny door!

Text - Lukas Schrenk
DIRECTOR + MUSIC - Nils Strunk
Stage - Anna Reichmayr
Costumes - Anne Buffetrille
Lighting - Jana Resetarits
DIRECTOR'S ASSISTANT - Emily Nagl
COSTUME ASSISTANCE - Lara Regula
Performers - Emilia Rupperti, Philip Leonhard Kelz

Wien

1/6/2025
11:00 AM

Mischmatsch

Whoever knows the struggles of life deserves an ice cream!

What a mishmash! But isn't it supposed to be mishmash, without the "t"? "Doesn't matter!" says Wudri, because he loves everything that inspires the imagination. Especially fairy tales and stories, fables and poems. And he especially loves to tell everyone he meets about them! For him, it doesn't matter how much he mixes up – as long as the story is full of the characters and drama he loves so much. If you meet him for the first time on the street or in the park, you could almost believe that nothing is missing. But if you look closer and listen to him, you'll notice how much of himself is in his stories. "Mischmatsch" is the tale of a person on the fringes of society. For someone who has so little, the joy of life and the hunger for liveliness also mean survival. And it seems like his humor and yearning are the only things he can hold against his situation. "Mischmatsch" raises the question of how we want to live and everything it takes to look forward to a more just future, where humanity and the well-being of all become the most valuable asset we have.

By and with: Siruan Darbandi

Wien

1/8/2025
10:00 AM

Wir und die Welt

REGIE Gabriele Wappel
PERFORMANCE + STÜCKENTWICKLUNG René Friesacher, Elina Lautamäki, Gabriele Wappel, Martin Wax
KÜNSTLERISCHE MITARBEIT Janina Sollmann
BÜHNE + LICHT Silvia Auer
KOSTÜME Afra Kirchdorfer
COACHING + DRAMATURGIE Frans Poelstra
MUSIKALISCHER COACH Sebastian Radon
REGIEASSISTENZ Sara Wilnauer-Leitner
PRODUKTION + WORKSHOPS Martin Wax
PR + OFFICE Jasmin Strauß-Aigner, Lena Obenaus

So it can be about everything and nothing. What is everything? And is nothing even something? In the beginning was Nothing and then came the Big Bang and suddenly everything was there? And what about God, has He always been there? How many gods and goddesses are there actually? And are they now on Olympus or in heaven? Or everywhere? I really need to know where I can reach the gods. Is God a superhero? Is God a woman, a man, or everything at once? Can anyone actually be right concerning the gods?

And what about the world? Who takes care of it?

The schallundrauch agency philosophizes, tells stories, channels, dances on pointe shoes, and remembers singing about the first childhood love: “Your hair in my cocoa.”

The production was nominated for the STELLA – Performing Arts Award for Young Audience in the category “Outstanding Production for Children.”

Wien

1/8/2025
10:00 AM

Valse, Valse, Valse

CHOREOGRAPHY Johanna Heusser
MUSICAL DIRECTION Xenia Wiener
STAGE + LIGHT Marc Vilanova
DRAMATURGY Fiona Schreier
OUTSIDE EYES Stephan Stock, Katharina Germo
COSTUMES Diana Ammann
PRODUCTION MANAGEMENT Maxine Devaud / oh la la ‒ performing arts production
DIRECTOR ASSISTANCE Arina Fröhlich
TECHNICAL MANAGEMENT Chiara Leonhardt
MUSICIANS Joachim Flüeler, Marie Jeger, Sebastian Loetscher
PERFORMANCE Simea Cavelti, Neil Höhener, David Speiser, Momo Fabienne Tanner

The waltz belongs to Vienna like the schnitzel and the Prater. But don't be deceived, because behind the elegant turns lies more than just a form of dance. At the beginning of the 19th century, the waltz was criticized and partly banned due to its physical closeness and intimacy with the opposite sex. Also, because the dance puts the participants in a euphoric state through its rotations, which was thought to lead people to pursue their needs without restraint. Through the almost floating movement of the waltz, the relationship between the two dancers and the accompanying music creates a kind of trance. However, this trance has nothing to do with loss of control, but with the movement itself.

Johanna Heusser and her team of 4 dancers and 3 musicians take you on a journey. They ask whether the waltz ‒ a symbol of wealth and the upper class in today's time ‒ can preserve its rebellious nature. Will they succeed in uncovering its historical potential for misconduct and intoxication once again?

Wien

1/8/2025
10:30 AM

Mischmatsch

Whoever knows the struggles of life deserves an ice cream!

What a mishmash! But isn't it supposed to be mishmash, without the "t"? "Doesn't matter!" says Wudri, because he loves everything that inspires the imagination. Especially fairy tales and stories, fables and poems. And he especially loves to tell everyone he meets about them! For him, it doesn't matter how much he mixes up – as long as the story is full of the characters and drama he loves so much. If you meet him for the first time on the street or in the park, you could almost believe that nothing is missing. But if you look closer and listen to him, you'll notice how much of himself is in his stories. "Mischmatsch" is the tale of a person on the fringes of society. For someone who has so little, the joy of life and the hunger for liveliness also mean survival. And it seems like his humor and yearning are the only things he can hold against his situation. "Mischmatsch" raises the question of how we want to live and everything it takes to look forward to a more just future, where humanity and the well-being of all become the most valuable asset we have.

By and with: Siruan Darbandi

Wien

1/9/2025
10:00 AM

Valse, Valse, Valse

CHOREOGRAPHY Johanna Heusser
MUSICAL DIRECTION Xenia Wiener
STAGE + LIGHT Marc Vilanova
DRAMATURGY Fiona Schreier
OUTSIDE EYES Stephan Stock, Katharina Germo
COSTUMES Diana Ammann
PRODUCTION MANAGEMENT Maxine Devaud / oh la la ‒ performing arts production
DIRECTOR ASSISTANCE Arina Fröhlich
TECHNICAL MANAGEMENT Chiara Leonhardt
MUSICIANS Joachim Flüeler, Marie Jeger, Sebastian Loetscher
PERFORMANCE Simea Cavelti, Neil Höhener, David Speiser, Momo Fabienne Tanner

The waltz belongs to Vienna like the schnitzel and the Prater. But don't be deceived, because behind the elegant turns lies more than just a form of dance. At the beginning of the 19th century, the waltz was criticized and partly banned due to its physical closeness and intimacy with the opposite sex. Also, because the dance puts the participants in a euphoric state through its rotations, which was thought to lead people to pursue their needs without restraint. Through the almost floating movement of the waltz, the relationship between the two dancers and the accompanying music creates a kind of trance. However, this trance has nothing to do with loss of control, but with the movement itself.

Johanna Heusser and her team of 4 dancers and 3 musicians take you on a journey. They ask whether the waltz ‒ a symbol of wealth and the upper class in today's time ‒ can preserve its rebellious nature. Will they succeed in uncovering its historical potential for misconduct and intoxication once again?

Wien

1/9/2025
10:30 AM

Wir und die Welt

REGIE Gabriele Wappel
PERFORMANCE + STÜCKENTWICKLUNG René Friesacher, Elina Lautamäki, Gabriele Wappel, Martin Wax
KÜNSTLERISCHE MITARBEIT Janina Sollmann
BÜHNE + LICHT Silvia Auer
KOSTÜME Afra Kirchdorfer
COACHING + DRAMATURGIE Frans Poelstra
MUSIKALISCHER COACH Sebastian Radon
REGIEASSISTENZ Sara Wilnauer-Leitner
PRODUKTION + WORKSHOPS Martin Wax
PR + OFFICE Jasmin Strauß-Aigner, Lena Obenaus

So it can be about everything and nothing. What is everything? And is nothing even something? In the beginning was Nothing and then came the Big Bang and suddenly everything was there? And what about God, has He always been there? How many gods and goddesses are there actually? And are they now on Olympus or in heaven? Or everywhere? I really need to know where I can reach the gods. Is God a superhero? Is God a woman, a man, or everything at once? Can anyone actually be right concerning the gods?

And what about the world? Who takes care of it?

The schallundrauch agency philosophizes, tells stories, channels, dances on pointe shoes, and remembers singing about the first childhood love: “Your hair in my cocoa.”

The production was nominated for the STELLA – Performing Arts Award for Young Audience in the category “Outstanding Production for Children.”

Wien

1/9/2025
10:00 AM

Wir und die Welt

REGIE Gabriele Wappel
PERFORMANCE + STÜCKENTWICKLUNG René Friesacher, Elina Lautamäki, Gabriele Wappel, Martin Wax
KÜNSTLERISCHE MITARBEIT Janina Sollmann
BÜHNE + LICHT Silvia Auer
KOSTÜME Afra Kirchdorfer
COACHING + DRAMATURGIE Frans Poelstra
MUSIKALISCHER COACH Sebastian Radon
REGIEASSISTENZ Sara Wilnauer-Leitner
PRODUKTION + WORKSHOPS Martin Wax
PR + OFFICE Jasmin Strauß-Aigner, Lena Obenaus

So it can be about everything and nothing. What is everything? And is nothing even something? In the beginning was Nothing and then came the Big Bang and suddenly everything was there? And what about God, has He always been there? How many gods and goddesses are there actually? And are they now on Olympus or in heaven? Or everywhere? I really need to know where I can reach the gods. Is God a superhero? Is God a woman, a man, or everything at once? Can anyone actually be right concerning the gods?

And what about the world? Who takes care of it?

The schallundrauch agency philosophizes, tells stories, channels, dances on pointe shoes, and remembers singing about the first childhood love: “Your hair in my cocoa.”

The production was nominated for the STELLA – Performing Arts Award for Young Audience in the category “Outstanding Production for Children.”

Wien

1/10/2025
10:00 AM

Wir und die Welt

REGIE Gabriele Wappel
PERFORMANCE + STÜCKENTWICKLUNG René Friesacher, Elina Lautamäki, Gabriele Wappel, Martin Wax
KÜNSTLERISCHE MITARBEIT Janina Sollmann
BÜHNE + LICHT Silvia Auer
KOSTÜME Afra Kirchdorfer
COACHING + DRAMATURGIE Frans Poelstra
MUSIKALISCHER COACH Sebastian Radon
REGIEASSISTENZ Sara Wilnauer-Leitner
PRODUKTION + WORKSHOPS Martin Wax
PR + OFFICE Jasmin Strauß-Aigner, Lena Obenaus

So it can be about everything and nothing. What is everything? And is nothing even something? In the beginning was Nothing and then came the Big Bang and suddenly everything was there? And what about God, has He always been there? How many gods and goddesses are there actually? And are they now on Olympus or in heaven? Or everywhere? I really need to know where I can reach the gods. Is God a superhero? Is God a woman, a man, or everything at once? Can anyone actually be right concerning the gods?

And what about the world? Who takes care of it?

The schallundrauch agency philosophizes, tells stories, channels, dances on pointe shoes, and remembers singing about the first childhood love: “Your hair in my cocoa.”

The production was nominated for the STELLA – Performing Arts Award for Young Audience in the category “Outstanding Production for Children.”

Wien

1/11/2025
3:30 PM

Wir und die Welt

REGIE Gabriele Wappel
PERFORMANCE + STÜCKENTWICKLUNG René Friesacher, Elina Lautamäki, Gabriele Wappel, Martin Wax
KÜNSTLERISCHE MITARBEIT Janina Sollmann
BÜHNE + LICHT Silvia Auer
KOSTÜME Afra Kirchdorfer
COACHING + DRAMATURGIE Frans Poelstra
MUSIKALISCHER COACH Sebastian Radon
REGIEASSISTENZ Sara Wilnauer-Leitner
PRODUKTION + WORKSHOPS Martin Wax
PR + OFFICE Jasmin Strauß-Aigner, Lena Obenaus

So it can be about everything and nothing. What is everything? And is nothing even something? In the beginning was Nothing and then came the Big Bang and suddenly everything was there? And what about God, has He always been there? How many gods and goddesses are there actually? And are they now on Olympus or in heaven? Or everywhere? I really need to know where I can reach the gods. Is God a superhero? Is God a woman, a man, or everything at once? Can anyone actually be right concerning the gods?

And what about the world? Who takes care of it?

The schallundrauch agency philosophizes, tells stories, channels, dances on pointe shoes, and remembers singing about the first childhood love: “Your hair in my cocoa.”

The production was nominated for the STELLA – Performing Arts Award for Young Audience in the category “Outstanding Production for Children.”

Wien

1/12/2025
3:30 PM

Erdmännchen

TEXT Max Smirzitz
DIRECTOR + TEXT EDITING Alexandra Koch
MOVEMENT DIRECTOR Anna Winter
STAGE + SET Karoline Hogl, Sophie Eidenberger
DIRECTOR'S ASSISTANT Barbara Zenker
ACTORS Nora Gall, Victoria Kremer, Johannes Polt, Veronika Rivo, Iris Schmid, Sophie Szklenar, Maya Villarreal

A group of meerkats must first come together and agree on status and positions. Then everything takes its usual course. Tasks are taken on without questioning them, until an irritation creeps in: There are meerkats who suddenly claim to be in the water business, instead of like everyone else in the earth business. And then a rumor about leaders emerges, known only to half the group. There is consensus that action must be taken. Immediately. Efficiently. Consistently. But can someone be excluded for that? Should everyone set new goals? Is a leader needed?

Erdmännchen shows the microcosm of our society with its hierarchies and dynamics. Who sits next to whom in school? Who likes what? Today you are "in" and tomorrow "super embarrassing." Do I want to stand out and risk becoming unpopular, or is it enough for me to be a follower, but safe? Are you a meerkat or not?

Wien

1/15/2025
10:30 AM

Im Untergrund

PERFORMANCE + PIECE DEVELOPMENT Laura-Lee Jacobi, Emmy Steiner, Sara Wilnauer-Leitner, Aurora Hackl Timón
DIRECTING + PIECE DEVELOPMENT Sarah Gaderer
MUSIC Sara Wilnauer-Leitner, Aurora Hackl Timón
STAGE Michael Liszt
LIGHT Christopher Corsmann
PRODUCTION Julia Haas

They are small, but there are many of them.

There are almost a million different species. They come in all sorts of shapes and colors. Many of them live hidden – underneath. Under the bark of trees, under stones, and beneath our feet. They crawl, dig, and slither. They are super strong, super fast, and super intelligent. Insects – the smallest and most diverse class that inhabits our planet.

We explore their cohesion and interaction. We transform into ants that live in huge colonies, dance like bees, wriggle like earthworms, and imitate the shield formations of firebugs.

How does one make oneself heard and how many small ones does it take to be big? What does it mean to be part of a group, and how does it feel when you don’t belong? Who am I in the group and who am I without it? And what happens when an ant goes backward?

Wien

1/15/2025
10:00 AM

Erdmännchen

TEXT Max Smirzitz
DIRECTOR + TEXT EDITING Alexandra Koch
MOVEMENT DIRECTOR Anna Winter
STAGE + SET Karoline Hogl, Sophie Eidenberger
DIRECTOR'S ASSISTANT Barbara Zenker
ACTORS Nora Gall, Victoria Kremer, Johannes Polt, Veronika Rivo, Iris Schmid, Sophie Szklenar, Maya Villarreal

A group of meerkats must first come together and agree on status and positions. Then everything takes its usual course. Tasks are taken on without questioning them, until an irritation creeps in: There are meerkats who suddenly claim to be in the water business, instead of like everyone else in the earth business. And then a rumor about leaders emerges, known only to half the group. There is consensus that action must be taken. Immediately. Efficiently. Consistently. But can someone be excluded for that? Should everyone set new goals? Is a leader needed?

Erdmännchen shows the microcosm of our society with its hierarchies and dynamics. Who sits next to whom in school? Who likes what? Today you are "in" and tomorrow "super embarrassing." Do I want to stand out and risk becoming unpopular, or is it enough for me to be a follower, but safe? Are you a meerkat or not?

Wien

1/16/2025
10:30 AM

Im Untergrund

PERFORMANCE + PIECE DEVELOPMENT Laura-Lee Jacobi, Emmy Steiner, Sara Wilnauer-Leitner, Aurora Hackl Timón
DIRECTING + PIECE DEVELOPMENT Sarah Gaderer
MUSIC Sara Wilnauer-Leitner, Aurora Hackl Timón
STAGE Michael Liszt
LIGHT Christopher Corsmann
PRODUCTION Julia Haas

They are small, but there are many of them.

There are almost a million different species. They come in all sorts of shapes and colors. Many of them live hidden – underneath. Under the bark of trees, under stones, and beneath our feet. They crawl, dig, and slither. They are super strong, super fast, and super intelligent. Insects – the smallest and most diverse class that inhabits our planet.

We explore their cohesion and interaction. We transform into ants that live in huge colonies, dance like bees, wriggle like earthworms, and imitate the shield formations of firebugs.

How does one make oneself heard and how many small ones does it take to be big? What does it mean to be part of a group, and how does it feel when you don’t belong? Who am I in the group and who am I without it? And what happens when an ant goes backward?

Wien

1/16/2025
10:00 AM

Erdmännchen

TEXT Max Smirzitz
DIRECTOR + TEXT EDITING Alexandra Koch
MOVEMENT DIRECTOR Anna Winter
STAGE + SET Karoline Hogl, Sophie Eidenberger
DIRECTOR'S ASSISTANT Barbara Zenker
ACTORS Nora Gall, Victoria Kremer, Johannes Polt, Veronika Rivo, Iris Schmid, Sophie Szklenar, Maya Villarreal

A group of meerkats must first come together and agree on status and positions. Then everything takes its usual course. Tasks are taken on without questioning them, until an irritation creeps in: There are meerkats who suddenly claim to be in the water business, instead of like everyone else in the earth business. And then a rumor about leaders emerges, known only to half the group. There is consensus that action must be taken. Immediately. Efficiently. Consistently. But can someone be excluded for that? Should everyone set new goals? Is a leader needed?

Erdmännchen shows the microcosm of our society with its hierarchies and dynamics. Who sits next to whom in school? Who likes what? Today you are "in" and tomorrow "super embarrassing." Do I want to stand out and risk becoming unpopular, or is it enough for me to be a follower, but safe? Are you a meerkat or not?

Wien

1/17/2025
6:00 PM

U20 Poetry Slam

The Poetry Slam is your stage to show the audience what moves, angers, or makes you happy with your texts and performances. Be part of it and share the power and beauty of words in an enthralling show full of wit, poetry, and impact. Feel the energy as the stage comes to life through the voices of all young word artists who express their stories, emotions, and thoughts vividly. Experience an unforgettable evening that will touch you and inspire your thoughts.

Your texts. Your stage. The only conditions are a 5-minute time limit, a self-written, performed text, and the absence of props, costumes, and singing. Before that, you can polish your text and performance with experienced slammers. If you don't want to perform on your own, you are welcome as a listener or judge! Oh, and of course, the audience can also be over 20.

Before each U20 Poetry Slam, there is a writing class called "schreib' KLASSE!" at 4:00 PM. Adina Wilcke and her team will guide you in writing and provide tips for your performance at the slam. Participants of the "schreib' KLASSE!" have free admission to the slam!

Hosted by: Adina Wilcke

Wien

1/17/2025
7:00 PM

Erdmännchen

TEXT Max Smirzitz
DIRECTOR + TEXT EDITING Alexandra Koch
MOVEMENT DIRECTOR Anna Winter
STAGE + SET Karoline Hogl, Sophie Eidenberger
DIRECTOR'S ASSISTANT Barbara Zenker
ACTORS Nora Gall, Victoria Kremer, Johannes Polt, Veronika Rivo, Iris Schmid, Sophie Szklenar, Maya Villarreal

A group of meerkats must first come together and agree on status and positions. Then everything takes its usual course. Tasks are taken on without questioning them, until an irritation creeps in: There are meerkats who suddenly claim to be in the water business, instead of like everyone else in the earth business. And then a rumor about leaders emerges, known only to half the group. There is consensus that action must be taken. Immediately. Efficiently. Consistently. But can someone be excluded for that? Should everyone set new goals? Is a leader needed?

Erdmännchen shows the microcosm of our society with its hierarchies and dynamics. Who sits next to whom in school? Who likes what? Today you are "in" and tomorrow "super embarrassing." Do I want to stand out and risk becoming unpopular, or is it enough for me to be a follower, but safe? Are you a meerkat or not?

Wien

1/17/2025
10:30 AM

Im Untergrund

PERFORMANCE + PIECE DEVELOPMENT Laura-Lee Jacobi, Emmy Steiner, Sara Wilnauer-Leitner, Aurora Hackl Timón
DIRECTING + PIECE DEVELOPMENT Sarah Gaderer
MUSIC Sara Wilnauer-Leitner, Aurora Hackl Timón
STAGE Michael Liszt
LIGHT Christopher Corsmann
PRODUCTION Julia Haas

They are small, but there are many of them.

There are almost a million different species. They come in all sorts of shapes and colors. Many of them live hidden – underneath. Under the bark of trees, under stones, and beneath our feet. They crawl, dig, and slither. They are super strong, super fast, and super intelligent. Insects – the smallest and most diverse class that inhabits our planet.

We explore their cohesion and interaction. We transform into ants that live in huge colonies, dance like bees, wriggle like earthworms, and imitate the shield formations of firebugs.

How does one make oneself heard and how many small ones does it take to be big? What does it mean to be part of a group, and how does it feel when you don’t belong? Who am I in the group and who am I without it? And what happens when an ant goes backward?

Wien

1/17/2025
10:00 AM

Erdmännchen

TEXT Max Smirzitz
DIRECTOR + TEXT EDITING Alexandra Koch
MOVEMENT DIRECTOR Anna Winter
STAGE + SET Karoline Hogl, Sophie Eidenberger
DIRECTOR'S ASSISTANT Barbara Zenker
ACTORS Nora Gall, Victoria Kremer, Johannes Polt, Veronika Rivo, Iris Schmid, Sophie Szklenar, Maya Villarreal

A group of meerkats must first come together and agree on status and positions. Then everything takes its usual course. Tasks are taken on without questioning them, until an irritation creeps in: There are meerkats who suddenly claim to be in the water business, instead of like everyone else in the earth business. And then a rumor about leaders emerges, known only to half the group. There is consensus that action must be taken. Immediately. Efficiently. Consistently. But can someone be excluded for that? Should everyone set new goals? Is a leader needed?

Erdmännchen shows the microcosm of our society with its hierarchies and dynamics. Who sits next to whom in school? Who likes what? Today you are "in" and tomorrow "super embarrassing." Do I want to stand out and risk becoming unpopular, or is it enough for me to be a follower, but safe? Are you a meerkat or not?

Wien

1/18/2025
6:00 PM

Im Untergrund

PERFORMANCE + PIECE DEVELOPMENT Laura-Lee Jacobi, Emmy Steiner, Sara Wilnauer-Leitner, Aurora Hackl Timón
DIRECTING + PIECE DEVELOPMENT Sarah Gaderer
MUSIC Sara Wilnauer-Leitner, Aurora Hackl Timón
STAGE Michael Liszt
LIGHT Christopher Corsmann
PRODUCTION Julia Haas

They are small, but there are many of them.

There are almost a million different species. They come in all sorts of shapes and colors. Many of them live hidden – underneath. Under the bark of trees, under stones, and beneath our feet. They crawl, dig, and slither. They are super strong, super fast, and super intelligent. Insects – the smallest and most diverse class that inhabits our planet.

We explore their cohesion and interaction. We transform into ants that live in huge colonies, dance like bees, wriggle like earthworms, and imitate the shield formations of firebugs.

How does one make oneself heard and how many small ones does it take to be big? What does it mean to be part of a group, and how does it feel when you don’t belong? Who am I in the group and who am I without it? And what happens when an ant goes backward?

Wien

1/18/2025
3:30 PM

Im Untergrund

PERFORMANCE + PIECE DEVELOPMENT Laura-Lee Jacobi, Emmy Steiner, Sara Wilnauer-Leitner, Aurora Hackl Timón
DIRECTING + PIECE DEVELOPMENT Sarah Gaderer
MUSIC Sara Wilnauer-Leitner, Aurora Hackl Timón
STAGE Michael Liszt
LIGHT Christopher Corsmann
PRODUCTION Julia Haas

They are small, but there are many of them.

There are almost a million different species. They come in all sorts of shapes and colors. Many of them live hidden – underneath. Under the bark of trees, under stones, and beneath our feet. They crawl, dig, and slither. They are super strong, super fast, and super intelligent. Insects – the smallest and most diverse class that inhabits our planet.

We explore their cohesion and interaction. We transform into ants that live in huge colonies, dance like bees, wriggle like earthworms, and imitate the shield formations of firebugs.

How does one make oneself heard and how many small ones does it take to be big? What does it mean to be part of a group, and how does it feel when you don’t belong? Who am I in the group and who am I without it? And what happens when an ant goes backward?

Wien

1/19/2025
3:30 PM

Das Leben macht mir keine Angst

REGIE + CHOREOGRAPHY Sanja Tropp Frühwald
COMPOSITION + MUSICAL DIRECTION Imre Lichtenberger Bozoki
TEXTS Barbi Marković
STAGE Irena Kraljić
COSTUMES Ana Fucijaš
LIGHT Aleksandar Čavlek
DANCE PEDAGOGY Sunčica Bandić
PRODUCTION MANAGEMENT Till Frühwald
PERFORMANCE Salome Bastien, Jaša Frühwald, Gat Goodovitch Pletzer, Isadora Magnusdottir, Bandi Meszerics, Pia Kaçinari Mikula, Filip Sever, Maya Villarreal

VRUM Performing Arts Collective dives into the adventure of combating fear! Based on the poem "Das Leben macht mir keine Angst," the intergenerational ensemble develops a production in which it confronts the dangers, the creepiness, and the craziness of daily life.

Three adults and six young people between the ages of 11 and 15 embark on a dance-musical quest for means against fear. The famous poem by the American writer and civil rights activist Maya Angelou serves as a humorous, serious, and rhythmic starting point for this search. With poetic texts and expressive musical images, they tell stories of being different, feeling afraid, and being alone and together.

VRUM stands up against the monster under the bed, against the shadows on the wall, against the fear that creeps in when looking at the crises of this world.

Imre Lichtenberger Bozoki and the ensemble are nominated for the STELLA*24 ‒ Performing.Art.Art.Award for Young Audiences in the category "Outstanding Music."

Wien

1/22/2025
10:00 AM

Südpol.Windstill

AUTHOR Armela Madreiter
DIRECTION Sandra Schüddekopf
STAGE + PROJECTION Vanessa Eder-Messutat
COSTUMES Verena Geier
DIRECTING ASSISTANCE Hannah Zauner
ACTING Shahrzad Nazarpour, Florian Tröbinger, Johanna Wolff

Ida lives in a peach-colored apartment block on the outskirts of town. She is well-versed in polar research, crossword puzzles, tin cans, and can operate washing machines by herself. She lives there with her mother, whose mood is always unpredictable. Sometimes she is the South Pole mother, sometimes the North Pole mother. The North Pole and South Pole are extreme living environments. To manage her life, Ida is supported by her (imaginary) friend, polar researcher Robert Falcon Scott. Together they turn Ida's everyday life into a research project, until one day Ida meets the neighbor girl Amrei, who knows everything about stars. This encounter opens doors.

südpol.windstill received the special prize for students of scenic writing from the Federal Ministry for Family Affairs, Senior Citizens, Women and Youth and was honored with the KinderStückePreis at the Mülheimer Theatertagen.

“With humor and sensitivity, Armela Madreiter tells the story of a complex mother-daughter relationship, where the horrors of addiction are met by inventiveness and empathy.” (Jury statement)

Wien

1/23/2025
10:30 AM

Das Leben macht mir keine Angst

REGIE + CHOREOGRAPHY Sanja Tropp Frühwald
COMPOSITION + MUSICAL DIRECTION Imre Lichtenberger Bozoki
TEXTS Barbi Marković
STAGE Irena Kraljić
COSTUMES Ana Fucijaš
LIGHT Aleksandar Čavlek
DANCE PEDAGOGY Sunčica Bandić
PRODUCTION MANAGEMENT Till Frühwald
PERFORMANCE Salome Bastien, Jaša Frühwald, Gat Goodovitch Pletzer, Isadora Magnusdottir, Bandi Meszerics, Pia Kaçinari Mikula, Filip Sever, Maya Villarreal

VRUM Performing Arts Collective dives into the adventure of combating fear! Based on the poem "Das Leben macht mir keine Angst," the intergenerational ensemble develops a production in which it confronts the dangers, the creepiness, and the craziness of daily life.

Three adults and six young people between the ages of 11 and 15 embark on a dance-musical quest for means against fear. The famous poem by the American writer and civil rights activist Maya Angelou serves as a humorous, serious, and rhythmic starting point for this search. With poetic texts and expressive musical images, they tell stories of being different, feeling afraid, and being alone and together.

VRUM stands up against the monster under the bed, against the shadows on the wall, against the fear that creeps in when looking at the crises of this world.

Imre Lichtenberger Bozoki and the ensemble are nominated for the STELLA*24 ‒ Performing.Art.Art.Award for Young Audiences in the category "Outstanding Music."

Wien

1/23/2025
10:00 AM

Südpol.Windstill

AUTHOR Armela Madreiter
DIRECTION Sandra Schüddekopf
STAGE + PROJECTION Vanessa Eder-Messutat
COSTUMES Verena Geier
DIRECTING ASSISTANCE Hannah Zauner
ACTING Shahrzad Nazarpour, Florian Tröbinger, Johanna Wolff

Ida lives in a peach-colored apartment block on the outskirts of town. She is well-versed in polar research, crossword puzzles, tin cans, and can operate washing machines by herself. She lives there with her mother, whose mood is always unpredictable. Sometimes she is the South Pole mother, sometimes the North Pole mother. The North Pole and South Pole are extreme living environments. To manage her life, Ida is supported by her (imaginary) friend, polar researcher Robert Falcon Scott. Together they turn Ida's everyday life into a research project, until one day Ida meets the neighbor girl Amrei, who knows everything about stars. This encounter opens doors.

südpol.windstill received the special prize for students of scenic writing from the Federal Ministry for Family Affairs, Senior Citizens, Women and Youth and was honored with the KinderStückePreis at the Mülheimer Theatertagen.

“With humor and sensitivity, Armela Madreiter tells the story of a complex mother-daughter relationship, where the horrors of addiction are met by inventiveness and empathy.” (Jury statement)

Wien

1/24/2025
10:30 AM

Das Leben macht mir keine Angst

REGIE + CHOREOGRAPHY Sanja Tropp Frühwald
COMPOSITION + MUSICAL DIRECTION Imre Lichtenberger Bozoki
TEXTS Barbi Marković
STAGE Irena Kraljić
COSTUMES Ana Fucijaš
LIGHT Aleksandar Čavlek
DANCE PEDAGOGY Sunčica Bandić
PRODUCTION MANAGEMENT Till Frühwald
PERFORMANCE Salome Bastien, Jaša Frühwald, Gat Goodovitch Pletzer, Isadora Magnusdottir, Bandi Meszerics, Pia Kaçinari Mikula, Filip Sever, Maya Villarreal

VRUM Performing Arts Collective dives into the adventure of combating fear! Based on the poem "Das Leben macht mir keine Angst," the intergenerational ensemble develops a production in which it confronts the dangers, the creepiness, and the craziness of daily life.

Three adults and six young people between the ages of 11 and 15 embark on a dance-musical quest for means against fear. The famous poem by the American writer and civil rights activist Maya Angelou serves as a humorous, serious, and rhythmic starting point for this search. With poetic texts and expressive musical images, they tell stories of being different, feeling afraid, and being alone and together.

VRUM stands up against the monster under the bed, against the shadows on the wall, against the fear that creeps in when looking at the crises of this world.

Imre Lichtenberger Bozoki and the ensemble are nominated for the STELLA*24 ‒ Performing.Art.Art.Award for Young Audiences in the category "Outstanding Music."

Wien

1/24/2025
2:30 PM

Das Leben macht mir keine Angst

REGIE + CHOREOGRAPHY Sanja Tropp Frühwald
COMPOSITION + MUSICAL DIRECTION Imre Lichtenberger Bozoki
TEXTS Barbi Marković
STAGE Irena Kraljić
COSTUMES Ana Fucijaš
LIGHT Aleksandar Čavlek
DANCE PEDAGOGY Sunčica Bandić
PRODUCTION MANAGEMENT Till Frühwald
PERFORMANCE Salome Bastien, Jaša Frühwald, Gat Goodovitch Pletzer, Isadora Magnusdottir, Bandi Meszerics, Pia Kaçinari Mikula, Filip Sever, Maya Villarreal

VRUM Performing Arts Collective dives into the adventure of combating fear! Based on the poem "Das Leben macht mir keine Angst," the intergenerational ensemble develops a production in which it confronts the dangers, the creepiness, and the craziness of daily life.

Three adults and six young people between the ages of 11 and 15 embark on a dance-musical quest for means against fear. The famous poem by the American writer and civil rights activist Maya Angelou serves as a humorous, serious, and rhythmic starting point for this search. With poetic texts and expressive musical images, they tell stories of being different, feeling afraid, and being alone and together.

VRUM stands up against the monster under the bed, against the shadows on the wall, against the fear that creeps in when looking at the crises of this world.

Imre Lichtenberger Bozoki and the ensemble are nominated for the STELLA*24 ‒ Performing.Art.Art.Award for Young Audiences in the category "Outstanding Music."

Wien

1/24/2025
10:00 AM

Das Leben macht mir keine Angst

REGIE + CHOREOGRAPHY Sanja Tropp Frühwald
COMPOSITION + MUSICAL DIRECTION Imre Lichtenberger Bozoki
TEXTS Barbi Marković
STAGE Irena Kraljić
COSTUMES Ana Fucijaš
LIGHT Aleksandar Čavlek
DANCE PEDAGOGY Sunčica Bandić
PRODUCTION MANAGEMENT Till Frühwald
PERFORMANCE Salome Bastien, Jaša Frühwald, Gat Goodovitch Pletzer, Isadora Magnusdottir, Bandi Meszerics, Pia Kaçinari Mikula, Filip Sever, Maya Villarreal

VRUM Performing Arts Collective dives into the adventure of combating fear! Based on the poem "Das Leben macht mir keine Angst," the intergenerational ensemble develops a production in which it confronts the dangers, the creepiness, and the craziness of daily life.

Three adults and six young people between the ages of 11 and 15 embark on a dance-musical quest for means against fear. The famous poem by the American writer and civil rights activist Maya Angelou serves as a humorous, serious, and rhythmic starting point for this search. With poetic texts and expressive musical images, they tell stories of being different, feeling afraid, and being alone and together.

VRUM stands up against the monster under the bed, against the shadows on the wall, against the fear that creeps in when looking at the crises of this world.

Imre Lichtenberger Bozoki and the ensemble are nominated for the STELLA*24 ‒ Performing.Art.Art.Award for Young Audiences in the category "Outstanding Music."

Wien

1/25/2025
3:30 PM

Südpol.Windstill

AUTHOR Armela Madreiter
DIRECTION Sandra Schüddekopf
STAGE + PROJECTION Vanessa Eder-Messutat
COSTUMES Verena Geier
DIRECTING ASSISTANCE Hannah Zauner
ACTING Shahrzad Nazarpour, Florian Tröbinger, Johanna Wolff

Ida lives in a peach-colored apartment block on the outskirts of town. She is well-versed in polar research, crossword puzzles, tin cans, and can operate washing machines by herself. She lives there with her mother, whose mood is always unpredictable. Sometimes she is the South Pole mother, sometimes the North Pole mother. The North Pole and South Pole are extreme living environments. To manage her life, Ida is supported by her (imaginary) friend, polar researcher Robert Falcon Scott. Together they turn Ida's everyday life into a research project, until one day Ida meets the neighbor girl Amrei, who knows everything about stars. This encounter opens doors.

südpol.windstill received the special prize for students of scenic writing from the Federal Ministry for Family Affairs, Senior Citizens, Women and Youth and was honored with the KinderStückePreis at the Mülheimer Theatertagen.

“With humor and sensitivity, Armela Madreiter tells the story of a complex mother-daughter relationship, where the horrors of addiction are met by inventiveness and empathy.” (Jury statement)

Wien

1/25/2025
4:00 PM

Das Leben macht mir keine Angst

REGIE + CHOREOGRAPHY Sanja Tropp Frühwald
COMPOSITION + MUSICAL DIRECTION Imre Lichtenberger Bozoki
TEXTS Barbi Marković
STAGE Irena Kraljić
COSTUMES Ana Fucijaš
LIGHT Aleksandar Čavlek
DANCE PEDAGOGY Sunčica Bandić
PRODUCTION MANAGEMENT Till Frühwald
PERFORMANCE Salome Bastien, Jaša Frühwald, Gat Goodovitch Pletzer, Isadora Magnusdottir, Bandi Meszerics, Pia Kaçinari Mikula, Filip Sever, Maya Villarreal

VRUM Performing Arts Collective dives into the adventure of combating fear! Based on the poem "Das Leben macht mir keine Angst," the intergenerational ensemble develops a production in which it confronts the dangers, the creepiness, and the craziness of daily life.

Three adults and six young people between the ages of 11 and 15 embark on a dance-musical quest for means against fear. The famous poem by the American writer and civil rights activist Maya Angelou serves as a humorous, serious, and rhythmic starting point for this search. With poetic texts and expressive musical images, they tell stories of being different, feeling afraid, and being alone and together.

VRUM stands up against the monster under the bed, against the shadows on the wall, against the fear that creeps in when looking at the crises of this world.

Imre Lichtenberger Bozoki and the ensemble are nominated for the STELLA*24 ‒ Performing.Art.Art.Award for Young Audiences in the category "Outstanding Music."

Wien

1/26/2025
3:30 PM

Südpol.Windstill

AUTHOR Armela Madreiter
DIRECTION Sandra Schüddekopf
STAGE + PROJECTION Vanessa Eder-Messutat
COSTUMES Verena Geier
DIRECTING ASSISTANCE Hannah Zauner
ACTING Shahrzad Nazarpour, Florian Tröbinger, Johanna Wolff

Ida lives in a peach-colored apartment block on the outskirts of town. She is well-versed in polar research, crossword puzzles, tin cans, and can operate washing machines by herself. She lives there with her mother, whose mood is always unpredictable. Sometimes she is the South Pole mother, sometimes the North Pole mother. The North Pole and South Pole are extreme living environments. To manage her life, Ida is supported by her (imaginary) friend, polar researcher Robert Falcon Scott. Together they turn Ida's everyday life into a research project, until one day Ida meets the neighbor girl Amrei, who knows everything about stars. This encounter opens doors.

südpol.windstill received the special prize for students of scenic writing from the Federal Ministry for Family Affairs, Senior Citizens, Women and Youth and was honored with the KinderStückePreis at the Mülheimer Theatertagen.

“With humor and sensitivity, Armela Madreiter tells the story of a complex mother-daughter relationship, where the horrors of addiction are met by inventiveness and empathy.” (Jury statement)

Wien

1/26/2025
4:00 PM

Robinson - Meine Insel gehört mir

DIRECTOR Paola Aguilera
AUTHOR Raoul Biltgen
PRODUCTION MANAGEMENT Barbara Schubert
DIRECTOR ASSISTANT Fidelis Hochstetter
LIGHT Stefan Enderle
INTERNSHIP Julia Falbesoner
ACTORS Klaus Huhle, Sven Kaschte

„Fear of danger is ten thousand times more frightening than danger itself.“
(Daniel Defoe)

Robinson lives on his lonely island. And he is content. He has what he needs and maybe even a little more.
But Robinson is afraid. Not of loneliness, but that someone will come and take his wealth away from him. That’s why he must act before it’s too late. Every day he keeps watch on the beach. He would prefer to build a fence around himself and his island to keep any possible danger away.
And suddenly he discovers footprints in the sand. And one day a stranger manages to reach his island and asks for help. For rescue. For asylum.

A play about the need to preserve what is achieved and the fear of the great unknown stranger who could take something away from you.

The play by Raoul Biltgen was awarded the Dutch-German Children’s and Youth Dramatist Award at the festival “Kaas & Kappes” and was most recently performed at the Tiroler Landestheater and the Theater Konstanz, among others.

Wien

1/29/2025
10:00 AM

Der Ursprung der Welt

CONCEPT makemake produktionen
COMPOSITION + PLAY DEVELOPMENT + PERFORMANCE Simon Dietersdorfer, Martin Hemmer
TEXT VERSION + DRAMATURGY Anita Buchart
CHOREOGRAPHY Martina Rösler
SET DESIGN Flora Besenbäck, Ida Bekič
FINAL DIRECTION Aslı Kışlal
PRODUCTION Julia Haas
COMMUNICATION Birgit Schachner
DIRECTION ASSISTANCE Michèle Tacke
LIGHT Hannes Röbisch
SOUND ENGINEERING Christian Hölzel

The patriarchy destroys itself through its own absurdity.

Starting from the female body, Strömquist traces through human history and shows the excesses of binarity. Simon Dietersdorfer and Martin Hemmer follow the comic's mandate and eliminate themselves as well as the double-edged stereotypes. The rubble of the gender order rains down. From the chaos of destruction, they create new possibilities with drums, electronics, and clever wordplay. As it turns out, it concerns us all. In the dissolution lies the new, and it is eagerly awaited.

Wien

1/29/2025
10:30 AM

Der Ursprung der Welt

CONCEPT makemake produktionen
COMPOSITION + PLAY DEVELOPMENT + PERFORMANCE Simon Dietersdorfer, Martin Hemmer
TEXT VERSION + DRAMATURGY Anita Buchart
CHOREOGRAPHY Martina Rösler
SET DESIGN Flora Besenbäck, Ida Bekič
FINAL DIRECTION Aslı Kışlal
PRODUCTION Julia Haas
COMMUNICATION Birgit Schachner
DIRECTION ASSISTANCE Michèle Tacke
LIGHT Hannes Röbisch
SOUND ENGINEERING Christian Hölzel

The patriarchy destroys itself through its own absurdity.

Starting from the female body, Strömquist traces through human history and shows the excesses of binarity. Simon Dietersdorfer and Martin Hemmer follow the comic's mandate and eliminate themselves as well as the double-edged stereotypes. The rubble of the gender order rains down. From the chaos of destruction, they create new possibilities with drums, electronics, and clever wordplay. As it turns out, it concerns us all. In the dissolution lies the new, and it is eagerly awaited.

Wien

1/30/2025
7:30 PM

Robinson - Meine Insel gehört mir

DIRECTOR Paola Aguilera
AUTHOR Raoul Biltgen
PRODUCTION MANAGEMENT Barbara Schubert
DIRECTOR ASSISTANT Fidelis Hochstetter
LIGHT Stefan Enderle
INTERNSHIP Julia Falbesoner
ACTORS Klaus Huhle, Sven Kaschte

„Fear of danger is ten thousand times more frightening than danger itself.“
(Daniel Defoe)

Robinson lives on his lonely island. And he is content. He has what he needs and maybe even a little more.
But Robinson is afraid. Not of loneliness, but that someone will come and take his wealth away from him. That’s why he must act before it’s too late. Every day he keeps watch on the beach. He would prefer to build a fence around himself and his island to keep any possible danger away.
And suddenly he discovers footprints in the sand. And one day a stranger manages to reach his island and asks for help. For rescue. For asylum.

A play about the need to preserve what is achieved and the fear of the great unknown stranger who could take something away from you.

The play by Raoul Biltgen was awarded the Dutch-German Children’s and Youth Dramatist Award at the festival “Kaas & Kappes” and was most recently performed at the Tiroler Landestheater and the Theater Konstanz, among others.

Wien

1/30/2025
10:00 AM

Der Ursprung der Welt

CONCEPT makemake produktionen
COMPOSITION + PLAY DEVELOPMENT + PERFORMANCE Simon Dietersdorfer, Martin Hemmer
TEXT VERSION + DRAMATURGY Anita Buchart
CHOREOGRAPHY Martina Rösler
SET DESIGN Flora Besenbäck, Ida Bekič
FINAL DIRECTION Aslı Kışlal
PRODUCTION Julia Haas
COMMUNICATION Birgit Schachner
DIRECTION ASSISTANCE Michèle Tacke
LIGHT Hannes Röbisch
SOUND ENGINEERING Christian Hölzel

The patriarchy destroys itself through its own absurdity.

Starting from the female body, Strömquist traces through human history and shows the excesses of binarity. Simon Dietersdorfer and Martin Hemmer follow the comic's mandate and eliminate themselves as well as the double-edged stereotypes. The rubble of the gender order rains down. From the chaos of destruction, they create new possibilities with drums, electronics, and clever wordplay. As it turns out, it concerns us all. In the dissolution lies the new, and it is eagerly awaited.

Wien

1/30/2025
10:30 AM

Der Ursprung der Welt

CONCEPT makemake produktionen
COMPOSITION + PLAY DEVELOPMENT + PERFORMANCE Simon Dietersdorfer, Martin Hemmer
TEXT VERSION + DRAMATURGY Anita Buchart
CHOREOGRAPHY Martina Rösler
SET DESIGN Flora Besenbäck, Ida Bekič
FINAL DIRECTION Aslı Kışlal
PRODUCTION Julia Haas
COMMUNICATION Birgit Schachner
DIRECTION ASSISTANCE Michèle Tacke
LIGHT Hannes Röbisch
SOUND ENGINEERING Christian Hölzel

The patriarchy destroys itself through its own absurdity.

Starting from the female body, Strömquist traces through human history and shows the excesses of binarity. Simon Dietersdorfer and Martin Hemmer follow the comic's mandate and eliminate themselves as well as the double-edged stereotypes. The rubble of the gender order rains down. From the chaos of destruction, they create new possibilities with drums, electronics, and clever wordplay. As it turns out, it concerns us all. In the dissolution lies the new, and it is eagerly awaited.

Wien

1/31/2025
7:30 PM

Robinson - Meine Insel gehört mir

DIRECTOR Paola Aguilera
AUTHOR Raoul Biltgen
PRODUCTION MANAGEMENT Barbara Schubert
DIRECTOR ASSISTANT Fidelis Hochstetter
LIGHT Stefan Enderle
INTERNSHIP Julia Falbesoner
ACTORS Klaus Huhle, Sven Kaschte

„Fear of danger is ten thousand times more frightening than danger itself.“
(Daniel Defoe)

Robinson lives on his lonely island. And he is content. He has what he needs and maybe even a little more.
But Robinson is afraid. Not of loneliness, but that someone will come and take his wealth away from him. That’s why he must act before it’s too late. Every day he keeps watch on the beach. He would prefer to build a fence around himself and his island to keep any possible danger away.
And suddenly he discovers footprints in the sand. And one day a stranger manages to reach his island and asks for help. For rescue. For asylum.

A play about the need to preserve what is achieved and the fear of the great unknown stranger who could take something away from you.

The play by Raoul Biltgen was awarded the Dutch-German Children’s and Youth Dramatist Award at the festival “Kaas & Kappes” and was most recently performed at the Tiroler Landestheater and the Theater Konstanz, among others.

Wien

2/1/2025
3:30 PM

Robinson - Meine Insel gehört mir

DIRECTOR Paola Aguilera
AUTHOR Raoul Biltgen
PRODUCTION MANAGEMENT Barbara Schubert
DIRECTOR ASSISTANT Fidelis Hochstetter
LIGHT Stefan Enderle
INTERNSHIP Julia Falbesoner
ACTORS Klaus Huhle, Sven Kaschte

„Fear of danger is ten thousand times more frightening than danger itself.“
(Daniel Defoe)

Robinson lives on his lonely island. And he is content. He has what he needs and maybe even a little more.
But Robinson is afraid. Not of loneliness, but that someone will come and take his wealth away from him. That’s why he must act before it’s too late. Every day he keeps watch on the beach. He would prefer to build a fence around himself and his island to keep any possible danger away.
And suddenly he discovers footprints in the sand. And one day a stranger manages to reach his island and asks for help. For rescue. For asylum.

A play about the need to preserve what is achieved and the fear of the great unknown stranger who could take something away from you.

The play by Raoul Biltgen was awarded the Dutch-German Children’s and Youth Dramatist Award at the festival “Kaas & Kappes” and was most recently performed at the Tiroler Landestheater and the Theater Konstanz, among others.

Wien

2/2/2025
3:30 PM

Who cares what you wear?

What does a piece of clothing say about who you are and what you think? Who cares what you wear? Two influencers search for what young people know about fashion, identity, and social responsibility. They vlog about fashion trends, waste, and social justice. And what does all of this have to do with climate change?

WHO CARES WHAT YOU WEAR? is a theater and participation project for young people that makes the connections between creativity, fashion, social change, and fair sustainability visible. Through the interaction between actors and the audience, young people are offered opportunities to actively participate in shaping a better future for all. Workshop sessions with fashion designers from Austria will occasionally take place, making the potential for positive change accessible to young people through future-oriented fashion design and creative work.

A production by the AUSTRIAN FASHION ASSOCIATION in co-production with DSCHUNGEL WIEN based on an idea from and in collaboration with FASHIONCLASH (NL) and Mayke Roels (NL).

Direction + Stage Design
Bianca Thomas

Costumes
Lisa Knoll

Video Artist
Vince Varga

Music
David Lipp

Actors
Nele Christoph, Crispin Hausmann

Wien

2/13/2025
10:30 AM

Who cares what you wear?

What does a piece of clothing say about who you are and what you think? Who cares what you wear? Two influencers search for what young people know about fashion, identity, and social responsibility. They vlog about fashion trends, waste, and social justice. And what does all of this have to do with climate change?

WHO CARES WHAT YOU WEAR? is a theater and participation project for young people that makes the connections between creativity, fashion, social change, and fair sustainability visible. Through the interaction between actors and the audience, young people are offered opportunities to actively participate in shaping a better future for all. Workshop sessions with fashion designers from Austria will occasionally take place, making the potential for positive change accessible to young people through future-oriented fashion design and creative work.

A production by the AUSTRIAN FASHION ASSOCIATION in co-production with DSCHUNGEL WIEN based on an idea from and in collaboration with FASHIONCLASH (NL) and Mayke Roels (NL).

Direction + Stage Design
Bianca Thomas

Costumes
Lisa Knoll

Video Artist
Vince Varga

Music
David Lipp

Actors
Nele Christoph, Crispin Hausmann

Wien

2/14/2025
10:30 AM

Who cares what you wear?

What does a piece of clothing say about who you are and what you think? Who cares what you wear? Two influencers search for what young people know about fashion, identity, and social responsibility. They vlog about fashion trends, waste, and social justice. And what does all of this have to do with climate change?

WHO CARES WHAT YOU WEAR? is a theater and participation project for young people that makes the connections between creativity, fashion, social change, and fair sustainability visible. Through the interaction between actors and the audience, young people are offered opportunities to actively participate in shaping a better future for all. Workshop sessions with fashion designers from Austria will occasionally take place, making the potential for positive change accessible to young people through future-oriented fashion design and creative work.

A production by the AUSTRIAN FASHION ASSOCIATION in co-production with DSCHUNGEL WIEN based on an idea from and in collaboration with FASHIONCLASH (NL) and Mayke Roels (NL).

Direction + Stage Design
Bianca Thomas

Costumes
Lisa Knoll

Video Artist
Vince Varga

Music
David Lipp

Actors
Nele Christoph, Crispin Hausmann

Wien

2/15/2025
4:00 PM

REGIE + PIECE DEVELOPMENT Sarah Gaderer
PERFORMANCE + PIECE DEVELOPMENT Emmy Steiner, Mona Matbou Riahi
MUSIC Mona Matbou Riahi
SET DESIGN Michael Haller, Laura-Lee Jacobi
ARTISTIC COLLABORATION Tara Luger
PRODUCTION Julia Haas

Inspired by Ernst Jandl's poem, we meet Otto and his pug and observe them in their very normal yet absurd everyday life. They argue and reconcile, take care of each other and annoy one another. There is a lot of defiance, hopping, making music, and dancing.
But what does the pug want? And what does Otto want? And what do they do when those desires don't align?

A musician and a performer bring the relationship between human and animal to the stage. Following the rhythm of the poem, they tell with a lot of music, humor, and poetry about two who can't live with and can't live without each other. They narrate communication problems, the need for independence, and the longing not to be alone.

Wien

2/16/2025
11:00 AM

Who cares what you wear?

What does a piece of clothing say about who you are and what you think? Who cares what you wear? Two influencers search for what young people know about fashion, identity, and social responsibility. They vlog about fashion trends, waste, and social justice. And what does all of this have to do with climate change?

WHO CARES WHAT YOU WEAR? is a theater and participation project for young people that makes the connections between creativity, fashion, social change, and fair sustainability visible. Through the interaction between actors and the audience, young people are offered opportunities to actively participate in shaping a better future for all. Workshop sessions with fashion designers from Austria will occasionally take place, making the potential for positive change accessible to young people through future-oriented fashion design and creative work.

A production by the AUSTRIAN FASHION ASSOCIATION in co-production with DSCHUNGEL WIEN based on an idea from and in collaboration with FASHIONCLASH (NL) and Mayke Roels (NL).

Direction + Stage Design
Bianca Thomas

Costumes
Lisa Knoll

Video Artist
Vince Varga

Music
David Lipp

Actors
Nele Christoph, Crispin Hausmann

Wien

2/16/2025
4:00 PM

REGIE + PIECE DEVELOPMENT Sarah Gaderer
PERFORMANCE + PIECE DEVELOPMENT Emmy Steiner, Mona Matbou Riahi
MUSIC Mona Matbou Riahi
SET DESIGN Michael Haller, Laura-Lee Jacobi
ARTISTIC COLLABORATION Tara Luger
PRODUCTION Julia Haas

Inspired by Ernst Jandl's poem, we meet Otto and his pug and observe them in their very normal yet absurd everyday life. They argue and reconcile, take care of each other and annoy one another. There is a lot of defiance, hopping, making music, and dancing.
But what does the pug want? And what does Otto want? And what do they do when those desires don't align?

A musician and a performer bring the relationship between human and animal to the stage. Following the rhythm of the poem, they tell with a lot of music, humor, and poetry about two who can't live with and can't live without each other. They narrate communication problems, the need for independence, and the longing not to be alone.

Wien

2/16/2025
3:30 PM

REGIE + PIECE DEVELOPMENT Sarah Gaderer
PERFORMANCE + PIECE DEVELOPMENT Emmy Steiner, Mona Matbou Riahi
MUSIC Mona Matbou Riahi
SET DESIGN Michael Haller, Laura-Lee Jacobi
ARTISTIC COLLABORATION Tara Luger
PRODUCTION Julia Haas

Inspired by Ernst Jandl's poem, we meet Otto and his pug and observe them in their very normal yet absurd everyday life. They argue and reconcile, take care of each other and annoy one another. There is a lot of defiance, hopping, making music, and dancing.
But what does the pug want? And what does Otto want? And what do they do when those desires don't align?

A musician and a performer bring the relationship between human and animal to the stage. Following the rhythm of the poem, they tell with a lot of music, humor, and poetry about two who can't live with and can't live without each other. They narrate communication problems, the need for independence, and the longing not to be alone.

Wien

2/17/2025
10:00 AM

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