It’s time: N1KOLAS is going on tour! Be there when the rising artist conquers the stage for the first time and performs his hits live.

Don’t miss the chance to be part of this unique experience. N1KOLAS live on tour – this is something you definitely shouldn’t miss!

Secure your tickets before it’s too late!

Avi Avital is a jack-of-all-trades and visionary of the mandolin. Avital, who discovered his passion at the age of eight in the mandolin orchestra of his Israeli homeland, has brought the mandolin to the grand concert halls of the world. His repertoire ranges from Baroque music to modern chansons, jazz, and World Music. The program he creates with the Kammerorchester Basel spans a fascinating arc through the world of the mandolin.

Avi Avital, mandolin
Hugo Ticciati, violin & conductor
Kammerorchester Basel

Program

Claude Debussy
String Quartet in G minor op.10, 1st and 2nd movement
(arr. for strings, 2 flutes, 2 horns, and mandolin)

Johann Nepomuk Hummel
Mandolin Concerto in G major S. 28

Maurice Ravel
String Quartet in F major, 4th movement
(arr. for strings, 2 flutes, 2 horns)

Joseph Haydn
Overture to L’Isola disabitata

Maurice Ravel
Menuet sur le nom d’Haydn

Paul Dukas
Prélude élégiaque sur le nom d’Haydn

Joseph Haydn
Symphony No. 49 in F minor La Passione, 2nd movement

Maurice Ravel
Pièce en forme de Habanera

Camille Saint-Saëns
Danse Macabre

Edith Piaf and Michel Legrand
selected songs

Joseph Haydn
Symphony No. 49 in F minor La Passione, 4th movement

Concert duration approx. 80 minutes, including intermission

On July 31, 2026, as part of the exhibition by Aki Streeter and Ygitt Pacher at the Jugendstiltheater in Klagenfurt/Celovec, Lojz Rieder will read from his memoirs and Felix Strasser will read texts by Erich Pacher at 7:00 p.m. The event will be followed by a concert by the band Geheimwerker, featuring the legendary Lojz Rieder on bass.

More information here:

https://akistreeter.com/

Plain

To Ingeborg Bachmann's 100th birthday, the theater group Ars ex Machina has the author duo Tamara Štajner and Paul-Henri Campbell summon the nymph Undine in a Carinthian triptych. Unlike in "Undine Goes," the monologue shifts, getting out of control: Mayor Hans indulges in a bizarre folk festival with a speech that meanders in traditionalist longing and unrestrained misogyny – here the figures of Hans from Bachmann assert their world. Among the visitors, the spirit of Undine buzzes, undermining, misunderstanding the speaker. Starting from the folk festival, the audience traverses two contrasting landscapes. In the first – "Undine’s Innards" – it seeks a new relationship with the world. The second landscape is a dream place, a space filled with Bachmann’s linguistic power – the audience immerses itself in a sound field searching for hope. With three actors (Eva Brunner, Julia Hammerl, Clemens Janout), under the direction of Christina Constanze Polzer, a triptych about Bachmann and her Carinthia emerges: between idyllic and abyss, outbreak and visitation. Because: it is not only the truth that is bearable for humans – dreaming is as well.

To Ingeborg Bachmann's 100th birthday, the theater group Ars ex Machina has the author duo Tamara Štajner and Paul-Henri Campbell summon the nymph Undine in a Carinthian triptych. Unlike in "Undine Goes," the monologue shifts, getting out of control: Mayor Hans indulges in a bizarre folk festival with a speech that meanders in traditionalist longing and unrestrained misogyny – here the figures of Hans from Bachmann assert their world. Among the visitors, the spirit of Undine buzzes, undermining, misunderstanding the speaker. Starting from the folk festival, the audience traverses two contrasting landscapes. In the first – "Undine’s Innards" – it seeks a new relationship with the world. The second landscape is a dream place, a space filled with Bachmann’s linguistic power – the audience immerses itself in a sound field searching for hope. With three actors (Eva Brunner, Julia Hammerl, Clemens Janout), under the direction of Christina Constanze Polzer, a triptych about Bachmann and her Carinthia emerges: between idyllic and abyss, outbreak and visitation. Because: it is not only the truth that is bearable for humans – dreaming is as well.

Martin Frank - "Grüße aus Allegro Süd"

Are you yearning for a short vacation from the madness of the world? Then come to Allegro Süd for a two-hour comedy evening. Don't know where that is? Martin doesn't either. But the 33-year-old comedian has everything packed that the name "Allegro Süd" promises: authentic jokes, exhilarating pace, delightful music, and an unparalleled Bavarian charm.
While elsewhere the big loudmouths push into the front rows and drive the world mad with tirades of hate, in Allegro Süd, they appreciate the down-to-earth second fiddle.
In his fifth solo program, Martin Frank expresses everything that is currently on his mind in his unmistakable manner. Have you never heard of this comedian? Then you should quickly ask your grandma! Or you can let yourself be surprised and trust what 123jackydaniel789 writes on YouTube: "Super funny but the singing is annoying!". So book, convince yourself, and also send "Grüße aus Allegro Süd" out into the world.

Tito & Tarantula–„Best of-Tour 2026“ Tito is back! The Americana and Desert Rock legend is going on a highly anticipated Best-of European tour in 2026. A Best-Of featuring the classic Tarantula songs, the legendary film songs, and some musical surprises. Accordingly, Tito & Tarantula will release a compilation of previously unreleased and rare recordings in 2026, “BEST OF THE UNHEARD”. Some of these songs will definitely make their way to the stage as well. Born in Mexico and raised as the son of a trapper in the wilderness of Alaska, Tito Larriva began his career in Los Angeles. With the PLUGZ and later the CRUZADOS, he quickly gained momentum. After a Top 10 single and a cover on Billboard magazine, Larriva became part of the L.A. music and film scene of the 80s. In the rehearsal room next door, the Red Hot Chili Peppers were taking their first steps. Emmylou Harris, Jeff Porcaro (the early deceased TOTO drummer) were his neighbors. At the same time, the trained ballet dancer also began his acting career. After debuting as “Hammy” in the “Pee-wee Herman Show” (1981), he worked with Patrick Swayze (Roadhouse), Johnny Depp (Once Upon A Time In Mexico), Antonio Banderas (Desperados 2), with Mel Gibson and Milla Jovovich in Wim Wenders' “The Million Dollar Hotel”, David Byrne (True Stories), Cheech Marin (Born In East LA), in the Oscar-winning short film “Session Man” and with R. Rodriguez (Grindhouse).

To Ingeborg Bachmann's 100th birthday, the theater group Ars ex Machina has the author duo Tamara Štajner and Paul-Henri Campbell summon the nymph Undine in a Carinthian triptych. Unlike in "Undine Goes," the monologue shifts, getting out of control: Mayor Hans indulges in a bizarre folk festival with a speech that meanders in traditionalist longing and unrestrained misogyny – here the figures of Hans from Bachmann assert their world. Among the visitors, the spirit of Undine buzzes, undermining, misunderstanding the speaker. Starting from the folk festival, the audience traverses two contrasting landscapes. In the first – "Undine’s Innards" – it seeks a new relationship with the world. The second landscape is a dream place, a space filled with Bachmann’s linguistic power – the audience immerses itself in a sound field searching for hope. With three actors (Eva Brunner, Julia Hammerl, Clemens Janout), under the direction of Christina Constanze Polzer, a triptych about Bachmann and her Carinthia emerges: between idyllic and abyss, outbreak and visitation. Because: it is not only the truth that is bearable for humans – dreaming is as well.

We cordially invite you to the book presentation and reading of "Amseln" with Anna Baar.

The book: A powerful novel about a woman's life shaped by bizarre self-staging, between psychodrama, mystical delusion, and the grotesque.

To Ingeborg Bachmann's 100th birthday, the theater group Ars ex Machina has the author duo Tamara Štajner and Paul-Henri Campbell summon the nymph Undine in a Carinthian triptych. Unlike in "Undine Goes," the monologue shifts, getting out of control: Mayor Hans indulges in a bizarre folk festival with a speech that meanders in traditionalist longing and unrestrained misogyny – here the figures of Hans from Bachmann assert their world. Among the visitors, the spirit of Undine buzzes, undermining, misunderstanding the speaker. Starting from the folk festival, the audience traverses two contrasting landscapes. In the first – "Undine’s Innards" – it seeks a new relationship with the world. The second landscape is a dream place, a space filled with Bachmann’s linguistic power – the audience immerses itself in a sound field searching for hope. With three actors (Eva Brunner, Julia Hammerl, Clemens Janout), under the direction of Christina Constanze Polzer, a triptych about Bachmann and her Carinthia emerges: between idyllic and abyss, outbreak and visitation. Because: it is not only the truth that is bearable for humans – dreaming is as well.

To Ingeborg Bachmann's 100th birthday, the theater group Ars ex Machina has the author duo Tamara Štajner and Paul-Henri Campbell summon the nymph Undine in a Carinthian triptych. Unlike in "Undine Goes," the monologue shifts, getting out of control: Mayor Hans indulges in a bizarre folk festival with a speech that meanders in traditionalist longing and unrestrained misogyny – here the figures of Hans from Bachmann assert their world. Among the visitors, the spirit of Undine buzzes, undermining, misunderstanding the speaker. Starting from the folk festival, the audience traverses two contrasting landscapes. In the first – "Undine’s Innards" – it seeks a new relationship with the world. The second landscape is a dream place, a space filled with Bachmann’s linguistic power – the audience immerses itself in a sound field searching for hope. With three actors (Eva Brunner, Julia Hammerl, Clemens Janout), under the direction of Christina Constanze Polzer, a triptych about Bachmann and her Carinthia emerges: between idyllic and abyss, outbreak and visitation. Because: it is not only the truth that is bearable for humans – dreaming is as well.

To Ingeborg Bachmann's 100th birthday, the theater group Ars ex Machina has the author duo Tamara Štajner and Paul-Henri Campbell summon the nymph Undine in a Carinthian triptych. Unlike in "Undine Goes," the monologue shifts, getting out of control: Mayor Hans indulges in a bizarre folk festival with a speech that meanders in traditionalist longing and unrestrained misogyny – here the figures of Hans from Bachmann assert their world. Among the visitors, the spirit of Undine buzzes, undermining, misunderstanding the speaker. Starting from the folk festival, the audience traverses two contrasting landscapes. In the first – "Undine’s Innards" – it seeks a new relationship with the world. The second landscape is a dream place, a space filled with Bachmann’s linguistic power – the audience immerses itself in a sound field searching for hope. With three actors (Eva Brunner, Julia Hammerl, Clemens Janout), under the direction of Christina Constanze Polzer, a triptych about Bachmann and her Carinthia emerges: between idyllic and abyss, outbreak and visitation. Because: it is not only the truth that is bearable for humans – dreaming is as well.

To Ingeborg Bachmann's 100th birthday, the theater group Ars ex Machina has the author duo Tamara Štajner and Paul-Henri Campbell summon the nymph Undine in a Carinthian triptych. Unlike in "Undine Goes," the monologue shifts, getting out of control: Mayor Hans indulges in a bizarre folk festival with a speech that meanders in traditionalist longing and unrestrained misogyny – here the figures of Hans from Bachmann assert their world. Among the visitors, the spirit of Undine buzzes, undermining, misunderstanding the speaker. Starting from the folk festival, the audience traverses two contrasting landscapes. In the first – "Undine’s Innards" – it seeks a new relationship with the world. The second landscape is a dream place, a space filled with Bachmann’s linguistic power – the audience immerses itself in a sound field searching for hope. With three actors (Eva Brunner, Julia Hammerl, Clemens Janout), under the direction of Christina Constanze Polzer, a triptych about Bachmann and her Carinthia emerges: between idyllic and abyss, outbreak and visitation. Because: it is not only the truth that is bearable for humans – dreaming is as well.

To Ingeborg Bachmann's 100th birthday, the theater group Ars ex Machina has the author duo Tamara Štajner and Paul-Henri Campbell summon the nymph Undine in a Carinthian triptych. Unlike in "Undine Goes," the monologue shifts, getting out of control: Mayor Hans indulges in a bizarre folk festival with a speech that meanders in traditionalist longing and unrestrained misogyny – here the figures of Hans from Bachmann assert their world. Among the visitors, the spirit of Undine buzzes, undermining, misunderstanding the speaker. Starting from the folk festival, the audience traverses two contrasting landscapes. In the first – "Undine’s Innards" – it seeks a new relationship with the world. The second landscape is a dream place, a space filled with Bachmann’s linguistic power – the audience immerses itself in a sound field searching for hope. With three actors (Eva Brunner, Julia Hammerl, Clemens Janout), under the direction of Christina Constanze Polzer, a triptych about Bachmann and her Carinthia emerges: between idyllic and abyss, outbreak and visitation. Because: it is not only the truth that is bearable for humans – dreaming is as well.

We cordially invite you to the book presentation of "Die Verzauberung der Welt" with Arnold Mettnitzer.

In his new book "Die Verzauberung der Welt," it is about "being a child" and the inexhaustible wealth of curiosity and enthusiasm.
From children, we learn to live in the moment, to name things as they are, and to approach the world with a spirit of exploration.

We cordially invite you to the book presentation and reading of "Luft nach unten" with Tamara Štajner.

The book: A novel about a family shaped by the spirit of women. "A furious self-experiment that pays tribute to love beyond all templates and disappointments." Maja Haderlap